The Five Words Or Less Challenge

(Hey everyone.  Since I’m in the process of moving, the gone fishin’ sign is still up on the door and for this week’s post I’m rolling out some more excerpts and miscellaneous observations from my Selling It Versus Selling Out ebook that you may enjoy.

The podcast will come back in the weeks ahead after I’m settled.  In the meantime, you can check out the latest one here.)

Five Words Or Less

Up until fairly recently, I had a habit that, in retrospect, is quite embarrassing.

I couldn’t describe what I did musically in five words or less to other people.

When asked what I did, I said I played guitar, and then went into a painfully earnest description that was supposed to be informational (but in reality probably sounded more like babbling).

No matter how sincere people are, most of them shut down with information overload and anything more than 5 words describing what you do initially (“initially” is an important qualifier here by the way) is information overload.

That might sound harsh but it’s not meant to be.  It’s simply that even musicians (i.e. people who do this every day of their lives) tend to lose focus after 10 words or so. I might talk about how hearing koto playing worked its way into my comping and they might be looking at me smiling and wondering about the discolored tooth in the front of my mouth (it’s discolored because I got into an accident the day of my grandmother’s funeral and ate a face full of gravel killing the nerve in my front tooth.  It’s also why I very rarely smile with a full open-faced smile.  But I digress….).

To non-musicians it’s even more alien.  They often really want to understand what you’re doing, but experience has shown me that the more descriptive you get, the more you’re going to lose them.  People are busy.  They have a lot on their mind and they’re often easily distracted, so don’t lose them if they’re interested in what you do!

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The restroom pitch

Now I’ve clarified this with the word initially.  For those of you familiar with the term, this is less of an elevator pitch and (in terms of length of time) more of a restroom pitch.  Imagine you walk up to a sink in a restroom and someone is already using the neighboring sink.  The person recognizes you and taps the soap dispenser and asks, “Hey don’t you play music – what kind of music do you play?”  you’ve got about 5 words to get it across before he or she runs the tap water and can’t hear what you’re saying.

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The goal of being able to do this isn’t to limit yourself in a bad way.  

The point of it is to come up with just enough of a description to get someone’s interest and have them ask more about what it is that you do.

Interestingly enough, while the 5-word rule applies to a band bio (keep it short and to the point), it doesn’t necessarily apply to other text-based media.  People who want to read about a band are often willing to read lengthy articles and will actually retain the information – but that’s after there interest is piqued, and the window for that is generally a short sentence or two.

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In person – in an initial meeting  – you’ve got about 5 words to bring them in.

If you’re interested in trying this for yourself here are some tips that may help.

  • Try to describe yourself musically in 5 words or less.
  • Make it descriptive enough that people get some sense of what you’re doing – but open enough to let their imagination fill in the other pieces.  “Improvised rock guitar” isn’t a bad start, but people who hear that are going to think “jam band”.  So if you play in a jam band it’s easier to just say “I play in a jam band”.  If you don’t play in a jam band, you might need a better description.
  • If you’re comparing yourself to other bands – don’t use any more than two (“Black Sabbath meets Elton John” gets someone’s attention.  “Take Yngwie Malmsten’s leads with Tony Levin’s pocket and hold it together with Zakir Hussain’s tabla” looses people.  Shred guitar with tabla gets it back again.  Will your bassist get pissed at that description?  Probably – but again the idea is to distill it down to its essence – because the essence is where all the potency is.

While this process will help you describe your music to other people (and thus make it more accessible to them automatically), it has a second (and ultimately more significant) advantage. It clarifies in your own head exactly what it is you’re trying to do.

If it takes 30 seconds for someone to initially describe what they’re doing it’s generally because they’re a little muddled on the goal as well.  Again, it’s something I was guilty of on my own and I now have short descriptions for everything I do.  They’re not all 5 words or less (and they all need revision and improvement)  but they’re distilled enough that people get the gist of what I’m doing.

For example, when people ask about performance I often tell them I play “ethnically influenced rock guitar”, “loop-based improvised guitar” or “improvised music for multi-media”.

When asked about my teaching style, I can explain that as a teacher my goal is to “help students hear the music within” or to “help students sound like themselves”.  Both sentences are a little clunky – but that’s the simplest essence.  That’s what I can boil it down to and if I understand it on the base level, I can always expand on it later. How I do these things is a much longer discussion.  Even though none of them fully define what I do, they help open a door for that discussion to occur and opening doors is what music should do in general.

Give it a try!  You may find out some interesting things about yourself!

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As always, thanks for reading!

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PS – If you dig this post, you may like my ebooks (both available for Amazon Kindle or for the FREE Kindle App).  Click on graphic for book link page.

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Indie Musician Wake Up Call

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Guit-A-Grip Podcast Episode #10 – On “You’re Welcome”

Hello everyone!

The iTunes synch.

This has been an on-going battle but (fingers crossed)  I think this is finally all set.

It looks like the links and streaming is reset on the individual pages on this site, but if you’re subscribed to the podcast you may have to unsubscribe and re-subscribe to the podcast to get the episodes that got jacked up in the synch (Episode #3, #4, #5 and the latest #9).

Again, my apologies!!!  I’m a real luddite on some things I guess!

If you’re unsure how to reset this in iTunes – in my iTunes, I went to Podcasts Selected Get-A-Grip.  Unsubscribed and then hit the subscribe button, and the episodes all came up with the right episodes and times.

(Also FYI – you may have noticed a page on the top bar that says PODCASTS and they’re all there for download and streaming!  Hopefully it’s all set now.)

Episode #10?

The ten episode milestone is now in the rear view mirror!   Guit-A-Grip podcast episode #10 “On ‘You’re welcome”‘  is out and available for download/streaming.

Subscription Notes:

  • You can subscribe through iTunes here:
  • You can use this link to subscribe with any other feed based service:
  • or you can right-click here to download it.
  • or you can stream this episode below.
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Guit-A-Grip Episode #10 – Show Notes

Generally, I listen back to the podcast and make copious notes about what I thought was clear at the time that turns out to be pretty murky.  I only have a few points I feel compelled to address this time.

I don’t have all the answers.

Well…Duh Scott ; )

No one has all the answers, and I’m more than suspicious of anyone who does.  I’ve just been fortunate in that I’ve made a near infinite number of mistakes – some of which I’ve actually learned from –  all of which have given me a perspective that’s been useful to me. Hopefully my answers will help you solve some of your own questions,  (you may want to check out my – Don’t buy the app – Be The App podcast for more on this idea).

For me, the main thing to remember is that lessons only have value in their application (as does philosophy hence my mini rant mid podcast).

That Martial Arts story:

That’s a post I did called Finding The Deeper Lesson.  If you haven’t read it yet, you might dig the article!

I don’t believe in evil:

That’s not entirely true, but I didn’t articulate it well.  I believe that people do evil things to each other quite often, but they don’t see it as evil, they see it as being the right thing to do (or the self serving thing to do) with no care for how it affects other people.  People in caves (or anywhere else for that matter) are not trying to advance an agenda they think is evil (Like Dr. Evil in an evil lair) – they’re doing what they think is right for themselves or their cause.

Much of evil, then, lies in action  maybe even in some cases more so than intent….more on that later.

There’s more

There’s always more, but it feels like I actually touched on a lot of things in the podcast I intended to, so I don’t feel compelled to write a lot about it here.

As always, thanks for visiting, reading and listening.  I hope you get something out of the podcast, and if you like the series please drop a line sometime.

Thanks again!

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Guit-A-Grip Episode #9: Transitioning From An Island To A Peninsula

Hello everyone!

After a little blogging run, I’m back to podcasting.  I’m experimenting with the format for what works best for people, so the fate of the podcasts are TBD but in the meantime, Guit-A-Grip podcast episode #9  is out and available for download/streaming.

Subscription Notes:

  • You can subscribe through iTunes here:
  • You can use this link to subscribe with any other feed based service:
  • or you can right-click here to download it.
  • or you can stream this episode below.

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Guit-A-Grip Episode #9 – Show Notes

The genius in question

I’ll reveal this someday, but for now if you know me from my club ’98 days, you’ll know who I’m talking about.

The study in question.

Here’s a link to the Huffpo article I referenced in the podcast.

The last meal in question.

Uh…my death row meal?  Depends on where I was…probably a bahn mi, but really good pizza, mashed potatoes, burrito, veggie burger or mac and cheese would be on the list as well.  Iced coffee would be there.

The show format

The fluff above not withstanding, I think it’s really important that anything I post here is succinct enough to be inspirational and actionable.  So I’m shooting for more of 10-20 minute posts that have a central idea to ponder and then move from there.  But I’m really interested in how these things benefit you. As always, If you like the podcast please let me know. If you really like it -and listen to it on iTunes –  leaving a rating there would be really appreciated!

More posts and podcasts are on their way.

Thanks again!

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Do You View Your (Music) Career Like An Actor?

I just saw a documentary on Netflix called “That Guy Who Was In That Thing” which is about a number of instantly recognizable character actors and their paths to get to claw their way to the middle.  ; )

The documentary is thoroughly engaging by being both entertaining and thought-provoking.  There also happen to be a number of parallels between performing in the film/television industry and performing in the music industry.  The subjects spoke at length about the difficulties that come with the ebb and flow of work that their careers take.  They talked about how they were (and are) out of work for years before they get a few gigs or hit a streak of work and all of them had stories of other parallel jobs that they worked while trying to make a living acting and tales of losing gigs for any one of a dozen reasons.

Two things grabbed me right away.

1.  The subjects spoke at length about how the number of actors out there willing to work for less has caused many of them to make less money than they did before. The thinking being, we don’t have to pay you that anymore because there are 10,000 other people who will kill to sit in that chair for less money.  The number of parallels with this and recording musicians (and performing artists) was striking. I’m paraphrasing here, “You realize that they don’t need you to fill the role, they just need to fill the role.”  Does this sound familiar to anyone performing and/or recording music out there?

2.  Musicians might actually have it easier than actors.

Here’s my thinking behind this.  Actors need vehicles to act in.  So the model they use is basically variations for  Advertising / Televison / Film.  For a TV show, this might mean

  • auditioning for a pilot with hundreds of people
  • getting a callback with maybe 50 people
  • getting a second callback with 20 people
  • doing a test with 5-6 people
  • having a series of negotiating calls made to see what you will cost them
  • testing in front of the studio executives this will limit you to a group of maybe 3 people
  • if chosen, you then shoot a pilot
  • the pilot then has to get picked up and
  • then you hope that the series doesn’t get cancelled after the first few episodes

The interesting thing to me was that this paralleled musicians and major labels.  The thinking was for years that you had to be in a band and signed to a label to have a career. Online distribution changed that model forever.

Having said that, artists on labels are/were the only people getting tour support. (They’re  generally the only people to also get tour support via sponsorship. )

For actors, working with studios means you get to keep your SAG card.  You get to keep your benefits and the SAG card is key to the audition process (and the securing of roles).

It doesn’t say it directly in the documentary – but some of these actors slogging it out in endless auditions seem to be afraid that the new (up and coming) actors are just getting pulled from YouTube.

I don’t think it’s the case for major films – and won’t be for a while.

Studio legend Tommy Tedesco once related a story where some MI students went with him on a session and one of them said, “I don’t understand.  Someone who’s been playing a year could play that part.”  And Tommy said, “yes. that’s probably true.”

The student pushed it more and said, “But you make triple scale, why do they pay all of that money to bring you in when they could get someone to do it much cheaper?”

Tedesco replied, “Because when you spend 50 or 75,000 on a recording session with an orchestra, you don’t want to lose money because some guy might screw up his part.  You’re going to get the best players on the session to make sure that absolutely nothing goes wrong.”

Again, I’m not knocking YouTube – but a YouTube performance doesn’t mean you can handle the rigors of any gig that comes your way.  While it might get you an audition, in and of itself, it’s never going to give you traction if you don’t have the skills to back it up.

Here’s what bugged me about the documentary.

No one talked about going DIY.

No one talked about making their own films.  Writing and staging their own plays.  Starting their own companies. All they talked about was a variation of the formula:

Get call from agent + audition + a dozen factors MAY = a gig.

It’s easy to view a music career like this.  Waiting for a shot – the right moment, the right contact – to make a big pay out.  It’s the lottery mentality to which I say, “sure, put a couple of bucks in and see if you get lucky, but putting your life savings in it probably won’t pay off.”

Those development contracts like Joan Crawford were on back in the day are never coming back to the movie houses.  Those days of getting signed to a label and having a carer carefully cultivated over multiple releases are never coming back.

Elvis already left the building.

While I’m fully in favor of seeking out opportunity – by and large you make your own opportunities and the formula for that is:

Do really good work + Do it frequently + Affect, motivate and/or move other people = being the go to person for “that thing”.

If what you do services a niche audience, you might not get rich but it’s probably the best way to build a long-term career.

Thanks for reading!

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Guit-ing A Grip On Technical Difficulties (Podcasting)

Hi Everyone,

Here’s the podcast streaming message but the real notes are below:

[audio:http://traffic.libsyn.com/guitagrip/Guit-A-Grip_Podcast_Update.mp3%5D

iTunes Trouble

I thought this was fixed, but apparently some component of the lib syn/feedburner/iTunes trinity is broken and despite re-uploading some of the files the links for Episode #4 and Episode #5 are pulling up podcast #2 in iTunes.

I have NO idea for why that is happening but I’ve included streaming and download links here for all of the current episodes.  These load right up in my podcasts so hopefully they’ll do the same for you!

I’ve moved all the podcasts to one central place, the PODCAST tab on the top of the page.

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Again, my apologies for the inconvenience everyone!  More content coming soon!
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Guit-A-Grip Episode #8 Don’t Just Buy The App – Be The App

Hello everyone!

Guit-A-Grip podcast episode #8  is now out and available for download/streaming.  I’ve changed the order up a little bit and you’ll find the stream and links below.

The Guit-A-Grip Podcast Process

This podcast format (instead of just blogging) largely came about because discussions with friends of mine in any kind of creative field would result in my going off on some tangent covering the intersection of music business and personal motivation which sometimes people got something from.  I’ve tried to keep some of that flavor here (minus the manic expressions and cursing).  So when I go to do a show – I’ll have some talking points and then improvise around the notes and try to hit a few marks.

While this may work in a conversation, it’s a mixed bag for audio recording.

The plus side of this process is that you come to realizations about things that you weren’t planning on.  While I had been conceptualizing the area around the actionable differences between an answer and a solution – I never verbalized it before like I did in this podcast.

The down side is that you have to remove a lot of awkward pauses, “ummmms” and “uhssss” that come up in conversation getting to points like the one above.  I want to distill the audio experience and get it down to the essence of what the listener is looking for.

In addition to taking some time, this editing process occasionally leads to some stunted audio.   It also leaves some conversational holes for ideas that are half started and then need a resolution.  Hence the need for the show notes.

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Subscription Notes:

  • You can subscribe through iTunes here:
  • You can use this link to subscribe with any other feed based service:
  • or you can right-click here to download it.
  • or you can stream this episode below.
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Guit-A-Grip Episode #8 – Show Notes

“One thing I see more and more….”

Trying to find a segue (as opposed to a Segway) into the topic.  Yes, there are a lot of ads for apps.  There will be many more.  It’s not some kind of advertising menace.  Yet.

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The Calculator.

The idea I’m rambling around in the early steps of the podcast is how the use of a calculator is completely divorced from both the math required to solve the problem and the mechanics of how the calculator arrives at the solution.

Conceptually, this goes hand in hand with the message behind my previous post, Don’t be afraid of the work.

In playing guitar, something can come out of the work that goes into really learning a piece at a deep level.  It’s why some music theorists go so gaga for analysis because they’re finding new connections and seeing things on a deeper level.

To be sure, I’m not a Luddite.  You’re not going to gain much doing long addition for EVERYTHING – but if you get used to using a calculator – you’ll be amazed at how quickly your math skills start to atrophy.

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The App 

In the app story I used an app that addressed a specific issue with a limited answer base. Most apps don’t exclude other people BUT if you’re using YELP during a vegetarian conference to find a local vegetarian restaurant in the area – and there’s only one – guess who’s going to get a table?  The first person who finds out about the restaurant and gets there.

The main point is that other people’s solutions are often adaptable to your situation, but the better you get at finding your own solution, the better you will become at developing solutions in general.  Ditto for applying those solutions.

That’s a wrap.

As always, If you like the podcast please let me know. If you really like it -and listen to it on iTunes –  leaving a rating there would be really appreciated!

More posts and podcasts are on their way.

Thanks again!

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Guit-A-Grip Episode #7 – Confessions Of A Former Music School “Failure”

Hello everyone!

Guit-A-Grip podcast episode #7 (Confessions of a former music school “failure”) is now out and available for download/streaming.

Subscription Notes:

  • You can subscribe through iTunes here:

(https://itunes.apple.com/us/podcast/guit-a-grip-podcast/id638383890 )

  • You can use this link to subscribe with any other feed based service:

(http://feeds.feedburner.com/GuitagripPodcast)

  • or you can right click here to download it.

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Guit-A-Grip Episode #7 – Show Notes

Several things got me thinking about this topic – but the key moment I knew I’d have to write about this came the last time I saw my mother in upstate New York and found a bunch of old scores from my Berklee composition days and sat there scratching my head.

They were really disjointed and amateurish.  It was like seeing myself go through puberty again and hearing my voice crack.  For a moment, it made me feel awful and then I remembered that I wasn’t that guy anymore.  Just as a 5 year old version of me tried to stick a fork in an electrical socket to see what would happen (I’m not doing that anymore btw) I’m not that same person.

I should know this but it’s either The Code of the Samurai or The Hagakure that has a philosophical maxim that I’ve held onto for much of my life,

“Seven times down – Eight times up.”

And it’s served me will.  You will hit walls and obstacles in whatever it is you do, but the actions  you take in resolving those things will ultimately be how you define yourself.

You are not your job (Unless you define yourself that way)

One of the first jobs I ever had was in a department store.  It was supposed to be a temp job during renovation, but I worked really hard, hustled and made myself an asset to the store so when the time came to keep a handful of employees – I was one of the ones they kept.

Perhaps there’s an alternate universe where I’m still working at that store, but I knew that there would be other things for me to do and so I moved on.  It’s not part of my self definition.

While my undergrad experience was a lopsided one  I don’t view myself as a failure (even though I have a few grades that argue that point!)

I had a bad experience and had to decide what was important and move on to the next thing.

I had to teach myself what I needed to know and transition from thinking to knowing.

I made myself a better musician, learned a lot of hard lessons and eventually transitioned to a place where I got into grad school (and no failing grades that time around).  That experience is a big part of what’s gone into making me who I am but, like the department store job, it’s not part of my self definition.

Things referenced in the Podcast

I mentioned that I’d link to some things in the Podcast so let’s try that.

First – some clarifiers

1. I remember the instance with the guidance office now.  We had to fill out the applications but the guidance office would not release transcripts to us – so we needed to give them our applications to submit so they could enclose transcripts.  I was told, “Our office does not make mistakes” when I got the letter back from Berklee even though I pointed to the requirement in print and noted that the transcript provided didn’t meet them.

2.  Eugene’s trick bag is the Steve Vai guitar solo that Ralph Macchio is hand synching to for the film Crossroads.

3.  Self Educated man – was a reference to self-taught man in La Nausée – a novel a mischievous member of the faculty gave me to read as a book report.  In 7th grade.  Brought up unsuccessfully in an attempt to woo a weary admissions counselor.

4.  Books Berklee recommended – Robert Starter’s Rhythmic Training was one of them but the others evade me now.

5.  In finding the scores I actually found the letter kicking me out of the composition department and found the photocopy of the letter I got from the chair to get back in.  A series of correspondences (and conversations) that I had previously blocked from my memory.

6.  Juggernaut.  This was the composition I referenced in the Podcast.  Don’t ask.  My instructor didn’t use the term “stones” that I used in the podcast either.

7.  “They were torn apart” – specifically one faculty member with a real problem with me blocked my graduation and took no small pleasure in COVERING my scores with red writing.  Now I don’t blame him – but at the time my thought was, “I was already graded on these why are you grading them a second time?”  Other comments included weird personal observations on how he didn’t like my music.

8.  This podcast is for everyone who had a plan.  Tried to execute the plan.  Had the plan blow up in their face and continue on despite everything.

Second – some music links.

Comité de salut public

I mentioned that I had a group at Berklee that used some of the contemporary composition techniques and wrote tunes with them.  That group was called The Committee Of Public Safety and (to my knowledge) was the only avante garde-core French Revolution “tribute band” in Boston at the time.  I wrote all the tunes and some of them are below:

But you can hear (and download) all of the tracks (and read more info than you ever wanted to know about this group) here.

The Committee of Public Safety was:

Pat Aldous/Marko Djordjevic – drums

Caroline Dillon – cello

Mike Mallory – bass

Teresa Sienkiewicz / Pat Raymaker- voice

The Time with the Tub

tubtime

Click for more info

Tubtime came out of a series of sessions I had with drum / recording guru Geoff Chase.  I dragged my friend Joe Rauen along to play bass and Geoff dragged the incomparable Patty Barkas along to sing.  Somehow we got the mighty Keichi Hashimoto to play with us as well.

We recorded another album’s worth of material that we’ll leak out eventually but for now here’s a soundcheck you might dig as well.

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The Book

Ah, yes – I referenced the book I wrote to get into grad school.

First, there were two components to the application.   In addition to the Tubtime CD there was some audio:

and then the book.  Excerpts of the ORIGINAL (error plagued) version was on Google Books but I don’t see it now.

The New (VASTLY improved) book:

12 Tone Cover small

Is available on Lulu or Amazon.  (Amazon probably ships it easier – but the Lulu page has WAY more information and book excerpts).

Note: the cover is vintage 2013.  The original cover was a flat blue with a white title.

Post

I promised a linked post that related more of this story and you can read that here .

Onward and Upward

I hope this helps (or is at least enjoyable or amusing to you)!

As always, If you like the podcast please let me know. If you really like it – leaving a rating on iTunes would be really appreciated!

More posts and podcasts are on their way.

Thanks again!

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Guit-A-Grip Podcast #6: Lessons Learned From A Small Town Store

Hello everyone!

Guit-A-Grip podcast #6 is now out! (And the links should be working now!!)

Subscription Notes:

  • You can subscribe through iTunes here:

(https://itunes.apple.com/us/podcast/guit-a-grip-podcast/id638383890 )

  • You can use this link to subscribe with any other feed based service:

(http://feeds.feedburner.com/GuitagripPodcast)

  • or you can right click here to download it.

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Guit-A-Grip Episode #6 – Show Notes

Stewart’s is a family owned company that has convenience stores in upstate NY and Vermont.  The Drake brothers started by making ice cream at their farm in 1921.  In 1935 they start Saratoga Dairy out of their barn.  That same year pasteurization of milk is required by the state and many local farmers use Saratoga Dairy for this service.  1938 they expand into producing other milk and milk based by-products such as cheese, powdered whey and casein.

Stewart’s has come a long ways.  Their Wikipedia page sites 324 stores and 1.4 billion (!!) in sales of Stewart’s branded products such as coffee, soda, milk, chips and ice cream.  You can find out more about them here.

In contrast, Wemple and Edick’s is a small ice cream shop on the outer edge of Johnstown NY.  Run from an old-fashioned general store that’s been there since 1826, they make hard ice cream, and baked goods.  They’re only open seasonally.  They don’t have a web page – but you can find their Facebook page here.

Stewart’s makes a lot of money.  They do a lot of things.  Wemple and Edick’s basically does one thing, but even though they’re only open seasonally they make enough money to keep the doors open doing what they want to do.

In typical Guit-A-Grip fashion relating aspects of each of their merits to what you do as an artist/entrepreneur is at best a gross over simplification, but you might be able to get something out of the contrasts that are presented.  (Also, that part of the podcast apes the Seth Godin Start Up School presentation style in manner that was unintentional when I did it, but eye rolling on play back.)

If you travel anywhere in upstate NY – you’ll find a Stewart’s – but you have to seek out Wemple and Edick’s (and many’s a time I went and was crushed to find out that they weren’t open).

While on the surface this is a music business post, at its core the topic relates to both the how and the why of whatever it is you’re doing and I hope it helps in some way.

As always, If you like the podcast please let me know. If you really like it – leaving a rating on iTunes would be really appreciated!

More posts and podcasts are on their way.

Thanks again!

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Guit-A-Grip Podcast Episode #5 – What Is A Fan?

Hello everyone!

Guit-A-Grip podcast #5 is now out!

I was thinking about the earlier podcasts and one thing I wanted to experiment with is really focusing the podcasts into short take aways that can be acted on immediately.  Kind of motivational and philosophical licks if you will.  So the next posts will be short but I’ll continue to intersperse them with longer posts for people who want more information.  I’m trying to find the ideal format here, and I guess I’ll wait to see what springs up.

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Subscription Notes:

  • You can subscribe through iTunes here:
  • You can use this link to subscribe with any other feed based service:
  • or you can right-click here to download it.
  • or you can stream this episode below.

http://traffic.libsyn.com/guitagrip/Guit-A-Grip_Podcast_Episode_5.mp3

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Guit-A-Grip Episode #5 – Show Notes

So this episode goes all into the lifeblood of any artistic longevity, your fans.  I mentioned the “Don’t Stop Believing” documentary in the podcast and while it should be out on DVD eventually, you can stream it now right here.

Arnel comes across really well in the video – and what the video doesn’t highlight is that Arnel was a 40 year old singer in a Manilla based cover band.  In the often ageist rock and roll market, that’s a time that many people consider a death sentence for achieving their dreams.  One incredible fan may have given him the platform for Neal Schon to find him, but it’s his talent and energy that put him on that stage.  He kept working even when logically, there wasn’t much point in his doing so.

Perhaps the greatest lesson in the movie comes at the point where he’s blowing the audition.  Arnel relates that he has this burning question of, “How am I going to let my true self come through if that want a classic sound?” during the audition which he finally answers with the realization that they brought him there to do a job and that that’s what he’s going to focus on.

If you commit to something and do your best – you don’t have to worry about whether or not you’re going to come out of your shell because people will see you for who you are.  How many times have you gone to see a band and walked away with an observation about one player? “The band was good…but that drummer was unbelievable!”  And I’m not talking about just dumping a lot of chops here, I’m talking about how great players transcend the material by being in the moment of what they’re doing.  They say something real and the audience gets that message.  Then you get players like Vinny Golia who have all the expression and chops in the world and is just a force of nature on a bandstand where you’re never going to doubt who that guy is.

(I’m off topic here but I will, yet again, plead with anyone who will listen to me that Vinny Golia is one of the closest things that we have to a national treasure and I can think of no one in the arts more deserving of a MacArthur fellowship than him.  Please tell all your friends – particularly the ones who submit nominations.)

As a secondary lesson, it acts as a great reminder about opportunity.  When opportunity knocks most people ignore it because they don’t recognize it as an opportunity. Arnel was going to blow off the e-mail from Neal Schon because he didn’t think it was serious.  Keeping options open makes it easier to answer the knock of opportunity when it happens – even if it just sounds like someone tapping their fingers on something.

Jason Becker

Additionally, if you’re looking for an inspirational guitar documentary –  I would implore you to buy the Jason Becker documentary.  Jason Becker, an astonishingly talented guitarist on the eve of his greatest guitar victory (securing the guitar slot in David Lee Roth’s band) get’s diagnosed with ALS which ultimately robs him of the ability to play guitar.  The documentary about Jason showcases his early story but is also about Jason’s refusal to stop making music and how he is still composing music using eye movements to enter in midi notes.

I have a movie review (and a transcription of one of the excerpts from the film) on Guitar-Muse, but the heartbreaking thing is that while Jason has a legion of well meaning fans that many of those fans uploaded all of his recorded material (including his DVD) to web, which deprives he and his family from income that could help maintain his life.

If you have Netflix, you can stream the documentary (which might put a few pennies in his pocket) but it’s also available for purchase on dvd or you could make a donation directly to the family here.  If you’re a fan of his music, it would be a great way to give something back to someone who really needs the help.

next time

 

Back to the podcast – If you like the podcast please let me know. If you really like it – leaving a rating on iTunes would be really appreciated!

More posts and podcasts are on their way  Next time, I’ll talk about the best ice cream shop in NY that you never heard of (unless you know where Sammonsville is)!

Thanks again!

-SC

 

Podcast #4: Separating The Suck From Success

Hello Everyone!

Guit-A-Grip podcast #4 is in the bag!

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Subscription Notes:

  • You can subscribe through iTunes here
  • You can use this link to subscribe with any other feed based service
  • or you can right-click here to download it.
  • or you can stream this episode below:

http://traffic.libsyn.com/guitagrip/Guit-A-Grip_Podcast_Episode_4.mp3

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Tech Note:

A trip to Radio Shack netted me a score on a $6 boom stand and a replacement wind screen for my Shure so audio wise hopefully this is a step up from podcasts 1-3.  I’m still sussing levels out (like at the end of the podcast when the music drowns me out a little bit  while I’m hawking my wares so I guess I’ll take that as a lesson to make sure that I keep my energy level up from beginning to end!

Guit-A-Grip Episode #4 – Show Notes

When I recorded this podcast, I was sitting about 4 feet away from Mrs. Collins who was sound asleep but listening back to it, it sounds like a late night cough suppressant commercial!  I hope that no one mistakes my dry delivery on this as being lacksidasical about the subject matter.  It’s just that volume may have subdued my passion.

It’s easy to get sucked into the trappings of using someone else’s definition of success and not realize it. (Hence the title of the podcast). One thing alluded to in the podcast (but not stated out right) is that as an artist, you need to have as objective a view about your skill set as you can.  Telling yourself that you suck at something isn’t going to make you better at it.

At a certain point, everyone sucks at everything.

It’s called being a baby.

You have no skills as a baby.  You suck at walking, at talking, Hell even craping in a socially acceptable manner is a dismal failure.  However, you learn all of those skills – because they’re just skill sets and behaviors that you have to learn – and no one expects you to be awesome at anything out of the gate.

So you’re not a baby anymore, but adopting a mindset that everything is a skill that can be learned will probably help you grow much faster than adopting a mindset that says, “I suck at this.”  There’s a story in the podcast that touches on this idea as well.

Mindsets

This is the topic of a whole other podcast, but the important thing to note about mindsets is that they can be changed.

As humans, we have the capacity to be adaptive individuals.

The good news is that you don’t have to maintain a defeatist mindset.

The “bad news” is that you have to be self-aware enough to understand your mindset, and emotionally distant enough to analyze your reaction and make a conscious decision to react to situations differently.

That requires habitual behavior, awareness and discipline.

A topic for another time…but something to consider as this podcast rolls along.

I hope the thoughts on success help! If you like the podcast please let me know. If you really like it – leaving a rating on iTunes would be really appreciated.

More posts and podcasts are on their way. Thanks again!

-SC