Guit-A-Grip Episode #7 – Confessions Of A Former Music School “Failure”

Hello everyone!

Guit-A-Grip podcast episode #7 (Confessions of a former music school “failure”) is now out and available for download/streaming.

Subscription Notes:

  • You can subscribe through iTunes here:

( )

  • You can use this link to subscribe with any other feed based service:


  • or you can right click here to download it.


Guit-A-Grip Episode #7 – Show Notes

Several things got me thinking about this topic – but the key moment I knew I’d have to write about this came the last time I saw my mother in upstate New York and found a bunch of old scores from my Berklee composition days and sat there scratching my head.

They were really disjointed and amateurish.  It was like seeing myself go through puberty again and hearing my voice crack.  For a moment, it made me feel awful and then I remembered that I wasn’t that guy anymore.  Just as a 5 year old version of me tried to stick a fork in an electrical socket to see what would happen (I’m not doing that anymore btw) I’m not that same person.

I should know this but it’s either The Code of the Samurai or The Hagakure that has a philosophical maxim that I’ve held onto for much of my life,

“Seven times down – Eight times up.”

And it’s served me will.  You will hit walls and obstacles in whatever it is you do, but the actions  you take in resolving those things will ultimately be how you define yourself.

You are not your job (Unless you define yourself that way)

One of the first jobs I ever had was in a department store.  It was supposed to be a temp job during renovation, but I worked really hard, hustled and made myself an asset to the store so when the time came to keep a handful of employees – I was one of the ones they kept.

Perhaps there’s an alternate universe where I’m still working at that store, but I knew that there would be other things for me to do and so I moved on.  It’s not part of my self definition.

While my undergrad experience was a lopsided one  I don’t view myself as a failure (even though I have a few grades that argue that point!)

I had a bad experience and had to decide what was important and move on to the next thing.

I had to teach myself what I needed to know and transition from thinking to knowing.

I made myself a better musician, learned a lot of hard lessons and eventually transitioned to a place where I got into grad school (and no failing grades that time around).  That experience is a big part of what’s gone into making me who I am but, like the department store job, it’s not part of my self definition.

Things referenced in the Podcast

I mentioned that I’d link to some things in the Podcast so let’s try that.

First – some clarifiers

1. I remember the instance with the guidance office now.  We had to fill out the applications but the guidance office would not release transcripts to us – so we needed to give them our applications to submit so they could enclose transcripts.  I was told, “Our office does not make mistakes” when I got the letter back from Berklee even though I pointed to the requirement in print and noted that the transcript provided didn’t meet them.

2.  Eugene’s trick bag is the Steve Vai guitar solo that Ralph Macchio is hand synching to for the film Crossroads.

3.  Self Educated man – was a reference to self-taught man in La Nausée – a novel a mischievous member of the faculty gave me to read as a book report.  In 7th grade.  Brought up unsuccessfully in an attempt to woo a weary admissions counselor.

4.  Books Berklee recommended – Robert Starter’s Rhythmic Training was one of them but the others evade me now.

5.  In finding the scores I actually found the letter kicking me out of the composition department and found the photocopy of the letter I got from the chair to get back in.  A series of correspondences (and conversations) that I had previously blocked from my memory.

6.  Juggernaut.  This was the composition I referenced in the Podcast.  Don’t ask.  My instructor didn’t use the term “stones” that I used in the podcast either.

7.  “They were torn apart” – specifically one faculty member with a real problem with me blocked my graduation and took no small pleasure in COVERING my scores with red writing.  Now I don’t blame him – but at the time my thought was, “I was already graded on these why are you grading them a second time?”  Other comments included weird personal observations on how he didn’t like my music.

8.  This podcast is for everyone who had a plan.  Tried to execute the plan.  Had the plan blow up in their face and continue on despite everything.

Second – some music links.

Comité de salut public

I mentioned that I had a group at Berklee that used some of the contemporary composition techniques and wrote tunes with them.  That group was called The Committee Of Public Safety and (to my knowledge) was the only avante garde-core French Revolution “tribute band” in Boston at the time.  I wrote all the tunes and some of them are below:

But you can hear (and download) all of the tracks (and read more info than you ever wanted to know about this group) here.

The Committee of Public Safety was:

Pat Aldous/Marko Djordjevic – drums

Caroline Dillon – cello

Mike Mallory – bass

Teresa Sienkiewicz / Pat Raymaker- voice

The Time with the Tub


Click for more info

Tubtime came out of a series of sessions I had with drum / recording guru Geoff Chase.  I dragged my friend Joe Rauen along to play bass and Geoff dragged the incomparable Patty Barkas along to sing.  Somehow we got the mighty Keichi Hashimoto to play with us as well.

We recorded another album’s worth of material that we’ll leak out eventually but for now here’s a soundcheck you might dig as well.


The Book

Ah, yes – I referenced the book I wrote to get into grad school.

First, there were two components to the application.   In addition to the Tubtime CD there was some audio:

and then the book.  Excerpts of the ORIGINAL (error plagued) version was on Google Books but I don’t see it now.

The New (VASTLY improved) book:

12 Tone Cover small

Is available on Lulu or Amazon.  (Amazon probably ships it easier – but the Lulu page has WAY more information and book excerpts).

Note: the cover is vintage 2013.  The original cover was a flat blue with a white title.


I promised a linked post that related more of this story and you can read that here .

Onward and Upward

I hope this helps (or is at least enjoyable or amusing to you)!

As always, If you like the podcast please let me know. If you really like it – leaving a rating on iTunes would be really appreciated!

More posts and podcasts are on their way.

Thanks again!



Guit-A-Grip Podcast #6: Lessons Learned From A Small Town Store

Hello everyone!

Guit-A-Grip podcast #6 is now out! (And the links should be working now!!)

Subscription Notes:

  • You can subscribe through iTunes here:

( )

  • You can use this link to subscribe with any other feed based service:


  • or you can right click here to download it.


Guit-A-Grip Episode #6 – Show Notes

Stewart’s is a family owned company that has convenience stores in upstate NY and Vermont.  The Drake brothers started by making ice cream at their farm in 1921.  In 1935 they start Saratoga Dairy out of their barn.  That same year pasteurization of milk is required by the state and many local farmers use Saratoga Dairy for this service.  1938 they expand into producing other milk and milk based by-products such as cheese, powdered whey and casein.

Stewart’s has come a long ways.  Their Wikipedia page sites 324 stores and 1.4 billion (!!) in sales of Stewart’s branded products such as coffee, soda, milk, chips and ice cream.  You can find out more about them here.

In contrast, Wemple and Edick’s is a small ice cream shop on the outer edge of Johnstown NY.  Run from an old-fashioned general store that’s been there since 1826, they make hard ice cream, and baked goods.  They’re only open seasonally.  They don’t have a web page – but you can find their Facebook page here.

Stewart’s makes a lot of money.  They do a lot of things.  Wemple and Edick’s basically does one thing, but even though they’re only open seasonally they make enough money to keep the doors open doing what they want to do.

In typical Guit-A-Grip fashion relating aspects of each of their merits to what you do as an artist/entrepreneur is at best a gross over simplification, but you might be able to get something out of the contrasts that are presented.  (Also, that part of the podcast apes the Seth Godin Start Up School presentation style in manner that was unintentional when I did it, but eye rolling on play back.)

If you travel anywhere in upstate NY – you’ll find a Stewart’s – but you have to seek out Wemple and Edick’s (and many’s a time I went and was crushed to find out that they weren’t open).

While on the surface this is a music business post, at its core the topic relates to both the how and the why of whatever it is you’re doing and I hope it helps in some way.

As always, If you like the podcast please let me know. If you really like it – leaving a rating on iTunes would be really appreciated!

More posts and podcasts are on their way.

Thanks again!



Guit-A-Grip Podcast Episode #5 – What Is A Fan?

Hello everyone!

Guit-A-Grip podcast #5 is now out!

I was thinking about the earlier podcasts and one thing I wanted to experiment with is really focusing the podcasts into short take aways that can be acted on immediately.  Kind of motivational and philosophical licks if you will.  So the next posts will be short but I’ll continue to intersperse them with longer posts for people who want more information.  I’m trying to find the ideal format here, and I guess I’ll wait to see what springs up.


Subscription Notes:

  • You can subscribe through iTunes here:
  • You can use this link to subscribe with any other feed based service:
  • or you can right-click here to download it.
  • or you can stream this episode below.


Guit-A-Grip Episode #5 – Show Notes

So this episode goes all into the lifeblood of any artistic longevity, your fans.  I mentioned the “Don’t Stop Believing” documentary in the podcast and while it should be out on DVD eventually, you can stream it now right here.

Arnel comes across really well in the video – and what the video doesn’t highlight is that Arnel was a 40 year old singer in a Manilla based cover band.  In the often ageist rock and roll market, that’s a time that many people consider a death sentence for achieving their dreams.  One incredible fan may have given him the platform for Neal Schon to find him, but it’s his talent and energy that put him on that stage.  He kept working even when logically, there wasn’t much point in his doing so.

Perhaps the greatest lesson in the movie comes at the point where he’s blowing the audition.  Arnel relates that he has this burning question of, “How am I going to let my true self come through if that want a classic sound?” during the audition which he finally answers with the realization that they brought him there to do a job and that that’s what he’s going to focus on.

If you commit to something and do your best – you don’t have to worry about whether or not you’re going to come out of your shell because people will see you for who you are.  How many times have you gone to see a band and walked away with an observation about one player? “The band was good…but that drummer was unbelievable!”  And I’m not talking about just dumping a lot of chops here, I’m talking about how great players transcend the material by being in the moment of what they’re doing.  They say something real and the audience gets that message.  Then you get players like Vinny Golia who have all the expression and chops in the world and is just a force of nature on a bandstand where you’re never going to doubt who that guy is.

(I’m off topic here but I will, yet again, plead with anyone who will listen to me that Vinny Golia is one of the closest things that we have to a national treasure and I can think of no one in the arts more deserving of a MacArthur fellowship than him.  Please tell all your friends – particularly the ones who submit nominations.)

As a secondary lesson, it acts as a great reminder about opportunity.  When opportunity knocks most people ignore it because they don’t recognize it as an opportunity. Arnel was going to blow off the e-mail from Neal Schon because he didn’t think it was serious.  Keeping options open makes it easier to answer the knock of opportunity when it happens – even if it just sounds like someone tapping their fingers on something.

Jason Becker

Additionally, if you’re looking for an inspirational guitar documentary –  I would implore you to buy the Jason Becker documentary.  Jason Becker, an astonishingly talented guitarist on the eve of his greatest guitar victory (securing the guitar slot in David Lee Roth’s band) get’s diagnosed with ALS which ultimately robs him of the ability to play guitar.  The documentary about Jason showcases his early story but is also about Jason’s refusal to stop making music and how he is still composing music using eye movements to enter in midi notes.

I have a movie review (and a transcription of one of the excerpts from the film) on Guitar-Muse, but the heartbreaking thing is that while Jason has a legion of well meaning fans that many of those fans uploaded all of his recorded material (including his DVD) to web, which deprives he and his family from income that could help maintain his life.

If you have Netflix, you can stream the documentary (which might put a few pennies in his pocket) but it’s also available for purchase on dvd or you could make a donation directly to the family here.  If you’re a fan of his music, it would be a great way to give something back to someone who really needs the help.

next time


Back to the podcast – If you like the podcast please let me know. If you really like it – leaving a rating on iTunes would be really appreciated!

More posts and podcasts are on their way  Next time, I’ll talk about the best ice cream shop in NY that you never heard of (unless you know where Sammonsville is)!

Thanks again!



Podcast #4: Separating The Suck From Success

Hello Everyone!

Guit-A-Grip podcast #4 is in the bag!


Subscription Notes:

  • You can subscribe through iTunes here
  • You can use this link to subscribe with any other feed based service
  • or you can right-click here to download it.
  • or you can stream this episode below:


Tech Note:

A trip to Radio Shack netted me a score on a $6 boom stand and a replacement wind screen for my Shure so audio wise hopefully this is a step up from podcasts 1-3.  I’m still sussing levels out (like at the end of the podcast when the music drowns me out a little bit  while I’m hawking my wares so I guess I’ll take that as a lesson to make sure that I keep my energy level up from beginning to end!

Guit-A-Grip Episode #4 – Show Notes

When I recorded this podcast, I was sitting about 4 feet away from Mrs. Collins who was sound asleep but listening back to it, it sounds like a late night cough suppressant commercial!  I hope that no one mistakes my dry delivery on this as being lacksidasical about the subject matter.  It’s just that volume may have subdued my passion.

It’s easy to get sucked into the trappings of using someone else’s definition of success and not realize it. (Hence the title of the podcast). One thing alluded to in the podcast (but not stated out right) is that as an artist, you need to have as objective a view about your skill set as you can.  Telling yourself that you suck at something isn’t going to make you better at it.

At a certain point, everyone sucks at everything.

It’s called being a baby.

You have no skills as a baby.  You suck at walking, at talking, Hell even craping in a socially acceptable manner is a dismal failure.  However, you learn all of those skills – because they’re just skill sets and behaviors that you have to learn – and no one expects you to be awesome at anything out of the gate.

So you’re not a baby anymore, but adopting a mindset that everything is a skill that can be learned will probably help you grow much faster than adopting a mindset that says, “I suck at this.”  There’s a story in the podcast that touches on this idea as well.


This is the topic of a whole other podcast, but the important thing to note about mindsets is that they can be changed.

As humans, we have the capacity to be adaptive individuals.

The good news is that you don’t have to maintain a defeatist mindset.

The “bad news” is that you have to be self-aware enough to understand your mindset, and emotionally distant enough to analyze your reaction and make a conscious decision to react to situations differently.

That requires habitual behavior, awareness and discipline.

A topic for another time…but something to consider as this podcast rolls along.

I hope the thoughts on success help! If you like the podcast please let me know. If you really like it – leaving a rating on iTunes would be really appreciated.

More posts and podcasts are on their way. Thanks again!



Podcast #3 On Talent, Tenacity And Self Definition

Hello everyone,

My new podcast is now up for streaming and/or download.

(Once again – this podcast was recorded in the same marathon session as the first one and there’s some weird gain issues going on.  So it’s a little gritty sounding on headphones and only slightly more forgiving though speakers – this will be fixed by podcast #4 – but in the meantime my apologies for the crunchy vocals.)

Guit-A-Grip Episode #3 – Show Notes

Short But Sweet

I’ve mentioned before that the podcasts will vary in length – and this one is well under 10 minutes, but after the previous two podcasts, I thought it might be nice to go with more succinct post this time.

Book Plug

This is an excerpt from my Kindle title, Selling It Versus Selling Out that touches on a number of topics that I’ve talked about here.

For those of you you who are interested, that book is available here .

My first Kindle title (An Indie Musician Wake Up Call) may also be of interest to you.  That book is available here.

If you like the audio format, I should have a collected audio book of essays up (and possibly a physical book) by the end of the summer.

A new podcast will be up next week – and more posts are on their way.

Finally, If you like the podcast please let me know. If you really like it – leaving a rating on iTunes would be really appreciated.

Thanks again!


Subscription Notes:

  • You can subscribe through iTunes here:

( )

  • You can use this link to subscribe with any other feed based service:


  • or you can right click here to download it.

New Podcast on Guit-A-Grip

Hello everyone.

Just a quick note that my podcast, Should you go to music school? is up on itunes and at


podcast post page

itunes link

I only noticed after I posted it that the compression plug in to raise the audio added some, uh, grit to the podcast.  So my apologies for the poor audio, but I thought the message was important enough that I just want to get it out.

Plus we’re all about inertia over here these days. ; )

Signal flow should be worked out by podcast #3.

More things on the way.

Have a great weekend everyone!

As always,  thanks for reading.


Podcast #2 – Should You Go To Music School? (Answered By Someone Who Did Go – Twice)

Hello everyone!  As promised, here’s a stream of the new Guit-A-Grip podcast:


(Once again – this podcast was recorded in the same marathon session as the first one and there’s some weird gain issues going on.  So it’s a little gritty sounding on headphones and only slightly more forgiving though speakers – this will be fixed by podcast #4 – but in the meantime my apologies for the crunchy vocals.)

Man O-man!

This was such a deep topic and deserving of way more detail than my little 1/2 hour exploration.  In light of this travesty of brevity and over simplification I need to add a few basic points that will hopefully fill in the spaces.


Guit-A-Grip Episode #2 – Show Notes


The Flippant Answer (and the lengthy explanation)

I don’t want to cop out by answering this question initially with a maybe, but it really is situational.  No matter how well designed the curriculum is and how well developed the facilities are, there is no “one size fits all” solution.  Some people are going to thrive in   settings that other people will be miserable in.  But I hope the podcast addresses some of the economic realities of what people are getting into when they go to school, the realities of the job prospects when they leave school and the real reason to go to school (it’s as much about the why of your development as it is about developing the skill set of how you’ll develop).


The Community College Oversight

At an early point in the podcast, I set aside the issue of public/community colleges for private ones but I misspoke my motivation why.  Private ones are not necessarily where everyone seems to go, but they are the ones that seem to get the most attention in the public eye.

The only questions behind going to any college are questions of intent/purpose and long term cost. Since the cost behind going to state schools (for in state residents) is often a fraction of what private schools cost – I set state schools aside as the issues for or against going to one are largely the same.  So while there are large differences, from a motivational standpoint the issues are largely the same.


The sideman / private teacher money breakdown

At the 12:00 mark or so is yet another moment of me misspeaking.  I said that working as a side man that you’d likely be viewed as an independent artist – but I meant to say, “independent contractor”.  Both may be true but the independent contractor will have much larger financial implications down the road.

I quoted 40% for Independent contractor taxes – which is higher than standard with holding for an independent contractor – but is not completely outrageous as in addition to sate and federal tax withholdings – the additional taxes on self-employment put you in a much different tax bracket if you’re not writing everything off.

For example, for a $15/Hour independent contractor vs a $12/Hour for payroll employee, the take home pay after taxes will be about $9.75/hour for the independent contractor and (depending on withholdings) just below $10/hour for the payroll employee.

If you have a manager, agent or lawyer (and if you’re making $1500 a week as a side man it’s very likely that you have at least one of those people) – your expenses will have you holding back closer to 40% (if not more).  People filing Section C on their 1040’s are more likely to get audited and hopefully you’re paying quarterlies so you don’t get NAILED at the end of the year.

In other words 40% isn’t completely outrageous as a figure but it is high.  (FYI – When I paid taxes and penalties early on as an independent contractor for teaching at a music store my take home percentage of original income was closer to 50% all in.)


Networking – or emphasizing a big reason to go

In a speech I used to give entering art students I used to say something like this on orientation,

“Look around at the people around you – because these are the people you are going to rely on for the rest of your career.  These are the people who are going to throw gigs and referrals your way.  These are the people who are going to give you a couch to crash on when you’re in town and will lead you to the other connections that you need to make to succeed as an entrepreneur.  So get to know these people.  Make introductions, get to know what people do an work with the best people you can.”

The irony is that the value of this lesson is generally only learned years later and it’s the one that (generally) no one will teach you.


Expanding your aesthetic

This is one thing I largely skipped in this podcast.  One huge thing that I got out of college was exposure to a lot of things that I didn’t know about before.  I didn’t like everything I was exposed to, but the process of understanding why I didn’t like those things completely evolved my aesthetic.  You don’t have to go to a formalized school setting to have that happen – but when you have the right teacher to guide you and help you understand what to look for you’re going to get access to insights that would have ben much more difficult on your own.

The Faculty

I skipped this in the podcast entirely as I think it’s a given that you’re going to get access to professional faculty – but realize that you are going to probably find a few amazing teachers, some so-so teachers and some people who are just uninspired.  I had a few faculty members in my undergrad who made the material so listless that I couldn’t engage it either.  Having said that, there were some faculty in my undergrad were so amazing that it made up for the bad experiences (I should mention that almost all of the music faculty at CalArts I came into contact with at CalArts fall into the inspired category.)  But teachers can only teach if the student is willing to learn, and while every student may be present, without having a vested interest in the lesson and/or the subject matter – they may not be ready to learn.

Nothing says you have to do it at 18.

Boy, that was the biggest lesson I learned (and thanks to Reg Bloor for reminding me about that lesson!) I really was not in the headspace for my undergrad experience.  I’m really happy I did it for a number of reasons, but academically it was a wash for me.

Again, I was someone who read a lot – but knew very little.  I might have come across as mature and articulate on a good day, but none of it was based on knowledge of anything (and certainly not anything musical).  I got so much more out of my graduate experience years later just because I had a little living under my belt and knew what I wanted to get out of it (although that didn’t work out exactly as planned – more on that later).

Get the dumb stuff out of your system and then if you want to go to school – you’ll have a more solid reason for doing so (and a better chance of getting a deeper return on your investment).  Some people get the dumb stuff out of their system before they’re 16.  It didn’t happen for me until well after my college days.

A quote sometimes attributed to Mark Twain:

“When I was a boy of fourteen, my father was so ignorant I could hardly stand to have the old man around. But when I got to be twenty-one, I was astonished at how much he had learned in seven years.”

When I was 18, an older version of myself traveling back in time to counsel me could not have talked me out of going to music school.  I would have done anything to go there.

A real key is to have passion and determination so take any positive or negative aspects of the experience with a grain of salt.  If you look at the downsides and say, “I don’t care.  I’m going to do what I have to do.” then you’re ready to go.  There’s a lot to be said for sheer determination and while that can get you somewhere – it generally won’t get you to your final destination on it’s own.

The secret agenda

This podcast has as much to do with the current state of the industry, as it does the current economics of going to school but really, it’s just another examination of understanding the why behind taking any course of action to work in harmony with the how.

As always, thanks for reading and listening!  A much shorter podcast is on the way next week!

Part three next week is the last of the weird initial edit/recording sessions so better sounding audio is on it’s way!

Finally, If you like the podcast please let me know. If you really like it – leaving a rating on iTunes would be really appreciated.

Thanks again!


Subscription Notes:

  • You can subscribe through iTunes here:

( )

  • You can use this link to subscribe with any other feed based service:


  • or you can right click here to download it.

12-Tone Lesson On Guitar-Muse, Podcast Updates And More

Hi everyone,

Just a few quick updates:


The good people at Guitar-Muse have posted a lesson culled from one of the techniques in my Symmetrical Twelve-Tone Patterns book.

12 Tone Cover small

You can check that lesson out here.  You can check out a related lesson here.

I’ve got interviews, player profiles and more gear reviews coming down the G-M pike as well.


I have to thank everyone for the overwhelmingly positive response to the Guit-A-Grip site and podcast!  If you haven’t checked out the first podcast episode

  • you can find it by searching the iTunes store interface
  • You can subscribe to it through iTunes here:

( )

  • You can use this link to subscribe with any other feed based service:


  • or you can right click here to download it.

BTW – If you dig the podcast and could take a moment to give it a rating on iTunes or a short review – I’d be much obliged.

The new Guit-A-Grip podcast will be up by Friday.

Other News

I’ve been working on something special for May – and something else that’s special for the fall.  It’s been a tough year so far – but I’m determined to accomplish some goals and make some magic from it still.  I hope you will as well.

As always, thanks for reading!


Announcing My New Podcast and Website – Guit-A-Grip

Hello everyone!

I just wanted to let you know that I have a new blog and a new podcast called:


You can find the website here: 

You can find the podcast on iTunes here: 

GuitArchitecture VS Guit-A-Grip

Simply put, GuitArchitecture focuses on a specific methodology for how to play guitar while  Guit-A-Grip focuses on the philosophical/psychological underpinnings addressing the why of guitar playing.

A number of posts in this area currently on GuitArchitecture will gradually be migrating over to Guit-A-Grip with all new content there as well.  There’s been some site clean-up here already and there should be more coming soon.

For those of you who are concerned – don’t worry – both sites will still maintain the same 2004 Web design standards ; )

So GuitArchitecture isn’t going anywhere – it’s focus is just going to be tightened on the physical and technical aspects of guitar.

The Podcast

The Guit-A-Grip podcast is going to be weekly(ish) and there’ll be a new podcast up before the end of the week. Hopefully it’s something you’ll dig.  If you do – please leave a review on iTunes!

I’ll update this post later with some more info and observations – but in the meantime I invite you to join me in Guiting-A-Grip.

As always, thanks for reading!


Guit-A-Grip Podcast Episode #1

In this episode of Guit-A-Grip – I start to discuss some of the thoughts behind this area of exploring the why of guitar playing.  As I referenced my (profoundly) brief foray in formal martial arts training, I’ve included more of that story in the post below this one.

Here’s a stream of the podcast!:

(There’s subscription and download information below if you want to check it out off line).


Technical Notes:

It’s funny.  A while ago I recorded a lesson and I noticed in the explanation that I had a lot of “uhs” in between words – which was really annoying to me (to be fair it serves me right for not using a script for the lesson.)  I developed a new (and equally annoying habit) of putting long pauses in between statements.  I discovered that this time listening back to this first podcast.  Cutting that down and taking out numerous “uhs” in the conversation got the podcast to be several minutes shorter.  It also made the speech rushed and – well – some of the edited speech inflections are just bizarre.

Hopefully there will be less of that in the future.

Also to get the show in the pipeline, I recorded the first 3 episodes in one sitting to get them in the groove.  This means that some technical recording and mix issues will be consistent throughout the first 3 episodes, but I should have that sussed out by episode four.

Show Notes:

Also, this show (and site) is here to address issues revolving around the why of guitar (or the why of any pursuit) –  but in reality  the show topics will invariably touch on all manner of things that are related and interest me such as personal development, motivation and even music business matters.  Ultimately, it deals with the intersections of these areas.

The Anti-Four Hour Clarification

In the Podcast I talk a little about the anti-four hour concept.  I’ve posted more about that here (Or in the post directly above this post if your reading this on

Other show notes:

  • I referenced some of the books I had written in the Podcast so the link to them on Amazon is available here.
  • My other site (GuitArchitecture) deals more with the how of guitar playing and that site can be found here.

This is very much a work in progress – but one measures a circle beginning anywhere – so perhaps this is as much a first step as any.

As always thanks for reading and I hope you enjoy the show!

Subscription Notes:

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