KoriSoron is going into the studio next weekend to record 3-4 songs for release before the end of the year.
By “studio” I don’t mean tracking something at one of our homes and self mixing and releasing it (though there’s nothing wrong with that), I mean actually going to a distinct physical location where a professional has set up gear to mix and record and recording something, mixing it there and releasing it.
Now I hear a number of people saying, “Well that’s dumb – why would you do that when you can do it at home and save money?” The answer is multi-faceted.
- Time is money and I want to save time. If I’m working on a project with a budget and a deadline, it’s pretty easy for me to knuckle down and get things done. But when I’m working on projects without a deadline…..it’s just too easy to go down the rabbit hole of distraction. What’s the quote, Perfect is the enemy of done? If you want it done, you need to have limitations and the external studio is an awesome limiter.
- A big part of our sound is the group playing together. Doing something where Dean records a percussion part and Farzad and I overdub everything would ruin the sound. It would be sterile.
- Live we improvise a great deal. That requires getting it off the stage instead of making 100 passes at something and comping it together in a take.
- Recording acoustics at home – without an iso booth – is a nightmare. Really. It’s worth it to me to just let someone else do it.
So that means I’m spending time in pre-production so I’m not wasting time in the studio. We use a Tascam DP-32SD to mix our shows and generally hit the record button which gives us valuable information on how things sound in reality (often very different than it sounds in memory and/or in our head at the time) and allow us to really prepare for things.
In a live setting everything I play for solos is improvised – but in the studio that ratio is probably more like 25-30%. Live, I’m dealing with immediacy and in recording I’m dealing with posterity. Recordings for me are sonic documentaries in that they’re a reflection of where I am in the moment. Although I really like the work I did with Tubtime (and some of my other projects) I don’t go back and listen to them often as it’s like finding a picture of yourself in your high school year book and cringing a but while asking, “What was I thinking?”.
Since I relate all music to communication – in a live context I try to have a moment of inspiration where I start to say something and come to a conclusion or observation that is engaging and surprises me as well. A recording is more like a speech where I have have talking points and a general idea where I’m going to end up, but want to keep the transitions loose so I can engage the audience more.
Preparation in this case means really being aware of what the other guys in the group are doing and being aware of what I’m doing as well. Sonically, that means really having my sounds down so I can be adaptable in that what might sound great in the practice room or on stage will not work for the studio. I not only have to be dialed into the nuances of my tone to be able to adapt to what’s going on but I also need to be comfortable enough with what I’m playing to be able to play even if I don’t like the sound coming out of my headphones.
The Gear (and why I rarely write gear reviews here anymore)
My electro-acoustic rig is a Yamaha APX-1000 and a ZT Amps lunchbox acoustic amplifier with a boss volume pedal, a looper and (lately) a LR Baggs Session DI in the effects loop. Everything is cabled with D’Addario/Planet Waves cables. Sometimes a Yamaha THR-5A is thrown into the mix as well.
For strings, I’ve used a bunch of them but keep coming back to D’Addario for my steel strings and electrics. A while back D’Addario was looking for beta testers for their Acoustic Alloy N6 strings and I sent them my bio and they send me a pack of beta strings.
I really dig them, and they’ll be my go-to acoustic string once they’re commercially available. They look more like electric guitar strings in that they don’t have that phospher bronze color. D’Addario cites their use of hegagonal cores and High Carbon Steel in the construction. All I know is the harmonics of the pitches seem to be clearer, and warmer. They hold tone really well and also hold tuning really well. It’s a great sounding string. If you pick up the upcoming KoriSoron recording you’ll hear it on there.
Two other quick notes about my current rig.
1. My electro-acoustic. I really lucked out with this guitar. I think Yamaha is doing really great work at a great price point. Originally I played at APX 500’s as they were easier to get my hands on – but I like the nut spacing and construction better on my APX1000. This is just a great acoustic-electric guitar and I hope to expand my relationship with Yamaha in the future.
2. My amp. The ZT Amplifier folks have been really supportive of KoriSoron and their amps have actually made me a better player in that they have a hi-fi quaility to them. By that I mean, that they take whatever you are playing and reflecting that accurately at a higher volume. In my case, it meant some of the things I was playing that I thought was “good enough” turned out to have technical issues and every biffed note and non articulated thing I played became apparent. I had to go back to the drawing board for and really clean up some of the things I was playing to get them to sit in the live setting properly. Those are things I might not have noticed with a mic – but it’s really re-focused how I play lead on acoustic in a good way.
Not all traffic is good traffic
When I write about gear on my blog, I only write about things that interest me or that I use (or have used) that I think would be of interest to other people. There are a lot things that I’ve used that I don’t like and I don’t write about them because there’s enough other negativity on the web. I’d rather be constructive about what I like and what could be made better about it, than trash something.
From a traffic standpoint that’s not a good idea. I’d get much more traffic knocking something than writing about liking it – but it’s not the kind of traffic I’m looking for here. Several years ago I write about a brand of tuners that I was using at the time. I won’t mention them here because I don’t want additional traffic from them. I found out that people were VERY opinionated about these tuners. I started getting daily notifications from people who had technical questions about the tuners. Requests for advice on installation or repair of the tuners. Several people tried hijacking the blog and making it a marketplace for the tuners. One person accused me of being a liar and fabricating my experience leading up to my use of the tuners.
I had posted my opinion about the tuners on the blog because I was using them and because I thought it would generate some traffic. I thought that traffic might lead to people checking out other things I was doing and maybe buying a book or a cd.
But that’s not how the internet works.
People find a blog based on searches. If they are looking to have an opinion validated or disputed about their a piece of gear, they are not going to read other things on your site to find out your approaches to pedagogy or art and artistry. I have always been upfront about my posts here. I write about things that interest me and write from a standpoint of what will help other people on the same journey. I also promote things that I create.
Not all things are going to be of service to all people. In the words of one would-be commentator on a post about paying dues;
“Hey Man, WTF? I subscribed to your list as a way to learn. Your explaining company policy? Ok, that’s your focus. Cool. Thanx, but I’m out.”
Think about this from my perspective. Someone came to the website, got free information and then got offended because I didn’t post another free lesson? That person will never buy a book, buy a cd or support me in anyway. They came because they wanted something free and only because it was free and I’m supposed to be upset because they’re gone?
Not all traffic is good traffic. You’re not going to please everyone with everything that you do.
- My interests are music and the deeper developments that we make as people by going deeper into art (or deeper into any kind of interactive experience).
- My interests are how musicians and artists can navigate the current economic landscape to allow them to devote the time and resources to their art that they wish to.
- My interests are in how to communicate on a deeper level and reach people.
That’s why my posts are generally longer. From a pure traffic standpoint it’s dumb to write a 3,000 word blog article. My writing is improvisational as well so these posts typically take hours to write as it requires substantial editing to make it something readable – but I engage in this process because it makes the writing more immediate and, in my experience, makes it more engaging and thus more rewarding for the reader. Again, not smart from a business perspective but necessary for my goals.
I don’t write the article for the reader who is looking for a quick hack to get 1% better at this thing to then move on to the next thing to get 1% better at. There’s nothing wrong with that, but it’s not the focus here.
I write for the person who wants more. Who wants more deeply. Who wants to engage with the world on a deeper level.
If you’re reading this and nodding your head. I write for you and I’m grateful for the opportunity to reach you.
As always, thanks for reading.