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Shape2012-09-22T12:46:50+00:00monthlyhttps://guitarchitecture.org/2010/03/29/focus-music-and-the-marathon-mentality/2012-09-16T03:30:03+00:00monthlyhttps://guitarchitecture.org/2010/06/08/definitions-and-documents-or-practicing-part-iv/2012-09-16T03:21:08+00:00monthlyhttps://guitarchitecture.org/2010/06/19/common-sense-is-not-so-common-or-the-internet-is-probably-wrong/2012-09-16T03:19:45+00:00monthlyhttps://guitarchitecture.org/2010/08/02/practice-what-you-play-or-practicing-part-v/2012-09-16T03:17:45+00:00monthlyhttps://guitarchitecture.org/2010/08/26/testing-your-vocabulary-or-practicing-part-vi/2012-09-16T03:14:40+00:00monthlyhttps://guitarchitecture.org/2010/11/08/pod-hd-vs-pod-farm-a-cost-comparison/2012-09-16T03:01:05+00:00monthlyhttps://guitarchitecture.org/2010/12/07/favored-curry-or-spicing-up-chord-scales-and-triads-part-1/https://guitarchitecture.org/wp-content/uploads/2010/12/7th-chord.jpg7th chordhttps://guitarchitecture.org/wp-content/uploads/2010/12/sharp2-4-flat6.jpgsharp2, 4 and flat6https://guitarchitecture.org/wp-content/uploads/2010/12/harm.jpgharmhttps://guitarchitecture.org/wp-content/uploads/2010/12/lick-11.jpgLick 1https://guitarchitecture.org/wp-content/uploads/2010/12/lick-1.jpgLick 1https://guitarchitecture.org/wp-content/uploads/2010/12/sharp-2-sharp-4-flat-6.jpgC Major sharp 2 sharp 4 flat 6https://guitarchitecture.org/wp-content/uploads/2010/12/c-chromatic.jpgC Chromatic Scalehttps://guitarchitecture.org/wp-content/uploads/2010/12/c-lydian.jpgC Lydianhttps://guitarchitecture.org/wp-content/uploads/2010/12/c-ionian.jpgC Ionian (C Major)https://guitarchitecture.org/wp-content/uploads/2010/12/c-maj-triad.jpgC major triad2012-09-16T02:58:20+00:00monthlyhttps://guitarchitecture.org/2010/12/24/favored-curry-or-spicing-up-chord-scales-and-triads-part-2/https://guitarchitecture.org/wp-content/uploads/2010/12/lick-4.jpgLick 4https://guitarchitecture.org/wp-content/uploads/2010/12/harp-harmonic-lick.jpgHarp Harmonic lickhttps://guitarchitecture.org/wp-content/uploads/2010/12/lick-2.jpgLick 2https://guitarchitecture.org/wp-content/uploads/2010/12/e-drone-diads.jpgE Drone Dyadshttps://guitarchitecture.org/wp-content/uploads/2010/12/triads-over-e-bass.jpgTriads Over E basshttps://guitarchitecture.org/wp-content/uploads/2010/12/c-major-add-on.jpgC Major add on2012-09-16T02:53:32+00:00monthlyhttps://guitarchitecture.org/2011/01/26/the-power-of-inertia-or-know-your-flow/2012-09-16T02:50:10+00:00monthlyhttps://guitarchitecture.org/2011/01/31/the-bakers-dozen-approach-to-pentatonic-scales/https://guitarchitecture.org/wp-content/uploads/2011/01/dm-6-note-chord.jpgdm 6 note chordhttps://guitarchitecture.org/wp-content/uploads/2011/01/lick2.jpgLick2https://guitarchitecture.org/wp-content/uploads/2011/01/lick-1a.jpgLick 1ahttps://guitarchitecture.org/wp-content/uploads/2011/01/d-min9-3np3.jpgD min9 3np3https://guitarchitecture.org/wp-content/uploads/2011/01/dm9-2nps1.jpgDm9 2npshttps://guitarchitecture.org/wp-content/uploads/2011/01/d-min-9-pent.jpgD min 9 penthttps://guitarchitecture.org/wp-content/uploads/2011/01/dm9-2nps.jpgDm9 2npshttps://guitarchitecture.org/wp-content/uploads/2011/01/d-pent-min-1.jpgD Pent min 12012-09-16T02:48:54+00:00monthlyhttps://guitarchitecture.org/2011/04/21/two-steps-back-or-setbacks-in-project-management/2012-09-16T02:39:59+00:00monthlyhttps://guitarchitecture.org/2011/04/28/some-useful-online-practice-tools/2012-09-16T02:38:23+00:00monthlyhttps://guitarchitecture.org/2011/06/02/some-thoughts-on-modeling-gear-acquisition-and-the-pod-hd500/2012-09-16T02:33:56+00:00monthlyhttps://guitarchitecture.org/2011/06/16/circumnavigating-the-wall-you-just-hit/2012-09-16T02:32:36+00:00monthlyhttps://guitarchitecture.org/2011/06/23/when-you-come-to-the-fork-in-the-road-take-it/2012-09-16T02:31:39+00:00monthlyhttps://guitarchitecture.org/2011/07/04/whats-wrong-with-playing-flight-of-the-bumblebee-for-a-world-speed-record/2014-04-13T13:14:08+00:00monthlyhttps://guitarchitecture.org/2011/08/08/tonal-vacuums-or-a-brief-note-about-tone/2012-09-16T02:21:16+00:00monthlyhttps://guitarchitecture.org/2011/08/25/the-guitarchitecture-guide-to-modes-part-1-single-string-major-scale/https://guitarchitecture.org/wp-content/uploads/2011/08/c-major-e-string-triplet.jpgC Major E string Triplethttps://guitarchitecture.org/wp-content/uploads/2011/08/phr_loc1.jpgPHR_LOChttps://guitarchitecture.org/wp-content/uploads/2011/08/b_lo.jpgB_LOhttps://guitarchitecture.org/wp-content/uploads/2011/08/aeo1.jpgDOR_AEOhttps://guitarchitecture.org/wp-content/uploads/2011/08/a_ao.jpg3 Note Shape VIhttps://guitarchitecture.org/wp-content/uploads/2011/08/ion_lyd_mix3.jpgION_LYD_MIXhttps://guitarchitecture.org/wp-content/uploads/2011/08/g_mi.jpg3 Note Shape Vhttps://guitarchitecture.org/wp-content/uploads/2011/08/f_ly.jpg3 Note Shape IVhttps://guitarchitecture.org/wp-content/uploads/2011/08/ion_lyd_mix2.jpgION_LYD_MIXhttps://guitarchitecture.org/wp-content/uploads/2011/08/phr_loc.jpgPHR_LOC2012-09-16T02:16:52+00:00monthlyhttps://guitarchitecture.org/2011/08/29/the-guitarchitects-guide-to-modes-part-2-seeing-the-two-string-major-scale/https://guitarchitecture.org/wp-content/uploads/2011/08/au-varispeed.jpgAu Varispeedhttps://guitarchitecture.org/wp-content/uploads/2011/08/c_major_e_and_a.jpgC_Major_E_and_Ahttps://guitarchitecture.org/wp-content/uploads/2011/08/c-major_d_and_g.jpgC Major_D_and_Ghttps://guitarchitecture.org/wp-content/uploads/2011/08/c-major_e_and_b_2.jpgC Major_E_and_B_2https://guitarchitecture.org/wp-content/uploads/2011/08/c-major_e_and_b.jpgC Major_E_and_Bhttps://guitarchitecture.org/wp-content/uploads/2011/08/2-string-scales.jpg2 String Scaleshttps://guitarchitecture.org/wp-content/uploads/2011/08/picking-pattern.jpgPicking Patternhttps://guitarchitecture.org/wp-content/uploads/2011/08/locrian.jpgLocrianhttps://guitarchitecture.org/wp-content/uploads/2011/08/aeolian.jpgAeolianhttps://guitarchitecture.org/wp-content/uploads/2011/08/lydian.jpgLydian2012-09-16T02:14:20+00:00monthlyhttps://guitarchitecture.org/2011/09/05/the-guitarchitect%e2%80%99s-guide-to-modes-part-3b-%e2%80%93-seeing-the-six-string-major-scale/2013-09-08T23:15:35+00:00monthlyhttps://guitarchitecture.org/2011/09/13/the-guitarchitect%e2%80%99s-guide-to-modes-part-4-modes-chords/https://guitarchitecture.org/wp-content/uploads/2011/09/a-minor-chord-chart1.jpgA Minor chord Charthttps://guitarchitecture.org/wp-content/uploads/2011/09/a-minor-chord-chart.jpgA Minor chord Charthttps://guitarchitecture.org/wp-content/uploads/2011/09/c-major-chord-tones-chart.jpgC Major Chord Tones Charthttps://guitarchitecture.org/wp-content/uploads/2011/09/c-major-harm-full.jpgC Major Harm - Fullhttps://guitarchitecture.org/wp-content/uploads/2011/09/parallel-mode-related-parent-major-scale.jpgParallel Mode Related Parent Major Scalehttps://guitarchitecture.org/wp-content/uploads/2011/09/related-mode-parent-major-scale.jpgRelated Mode - Parent Major Scalehttps://guitarchitecture.org/wp-content/uploads/2011/09/c-rooted-modes.jpgC Rooted Modeshttps://guitarchitecture.org/wp-content/uploads/2011/09/7ths-on-a-string.jpg7ths on A Stringhttps://guitarchitecture.org/wp-content/uploads/2011/09/c-major-triads-a-string.jpgC Major Triads A Stringhttps://guitarchitecture.org/wp-content/uploads/2011/09/c-triad-chart1.jpgC triad chart2017-07-12T02:08:51+00:00monthlyhttps://guitarchitecture.org/2011/09/16/a-couple-of-thoughts-of-productivity/2012-09-16T02:09:02+00:00monthlyhttps://guitarchitecture.org/2011/09/28/sooperlooper-live-looping-au-update-announced/2012-09-16T02:04:43+00:00monthlyhttps://guitarchitecture.org/2011/10/02/the-guitarchitect%e2%80%99s-guide-to-modes-part-the-circle-of-5ths-modal-interchange-and-making-the-most-of-one-pattern/https://guitarchitecture.org/wp-content/uploads/2011/09/a-minor-9-6.jpga minor 9 (6)https://guitarchitecture.org/wp-content/uploads/2011/09/a-minor-9-b6.jpga minor 9 (b6)https://guitarchitecture.org/wp-content/uploads/2011/09/a-minor-9.jpgA minor 9https://guitarchitecture.org/wp-content/uploads/2011/09/a-minor-b9.jpga minor b9https://guitarchitecture.org/wp-content/uploads/2011/09/a-minor-chords.jpgA Minor Chordshttps://guitarchitecture.org/wp-content/uploads/2011/09/a-minor.jpgA Minorhttps://guitarchitecture.org/wp-content/uploads/2011/09/a-major-sharp-11.jpgA Major sharp 11https://guitarchitecture.org/wp-content/uploads/2011/09/a-sus4.jpgA sus4https://guitarchitecture.org/wp-content/uploads/2011/09/a7.jpgA7https://guitarchitecture.org/wp-content/uploads/2011/09/a-major-7.jpgA Major 72012-09-16T02:03:30+00:00monthlyhttps://guitarchitecture.org/2011/10/08/the-guitarchitects-guide-to-modes-part-7-minor-positional-modal-interchange-and-complimenting-modes-with-chords/https://guitarchitecture.org/wp-content/uploads/2011/10/a-minor-add-6-9.jpgA minor add 6, 9A minor add 6, 9 - Click to enlargehttps://guitarchitecture.org/wp-content/uploads/2011/10/a-minor-add-9-add-b6.jpgA minor add 9 add b6A minor add 9 add b6 - click to enlargehttps://guitarchitecture.org/wp-content/uploads/2011/10/a-minor-add-9.jpgA minor add 9A minor add 9 - Click to enlargehttps://guitarchitecture.org/wp-content/uploads/2011/10/a-minor-add-b91.jpgA minor add b9https://guitarchitecture.org/wp-content/uploads/2011/10/a-minor-add-b9.jpgA minor add b9A minor add b9 - Click to enlargehttps://guitarchitecture.org/wp-content/uploads/2011/10/a-minor.jpgA minorA minor - Try A Dorian, A Aeolian or A Phrygianhttps://guitarchitecture.org/wp-content/uploads/2011/10/a-minor-progression.jpgA minor progressionRepeat each bar 2-4 times ** Click to enlarge**https://guitarchitecture.org/wp-content/uploads/2011/10/a-phrygian.jpgA phrygianClick to enlargehttps://guitarchitecture.org/wp-content/uploads/2011/10/a-aeolian.jpgA aeolianClick to enlargehttps://guitarchitecture.org/wp-content/uploads/2011/10/a-dorian.jpgA dorianClick to enlarge2012-09-16T02:02:06+00:00monthlyhttps://guitarchitecture.org/2011/10/15/the-guitarchitects-guide-to-modes-part-8-major-positional-modal-interchange-and-complimenting-modes-with-chords/https://guitarchitecture.org/wp-content/uploads/2011/10/a-major-add-11.jpgA major add #11A Major (add #11) - Play A Lydian - Click to enlargehttps://guitarchitecture.org/wp-content/uploads/2011/10/asus4.jpgAsus4A sus4 - Play A Ionian or A Mixolydian - Click to enlargehttps://guitarchitecture.org/wp-content/uploads/2011/10/a7.jpgA7A7 - Play A Mixolydian - Click to enlargehttps://guitarchitecture.org/wp-content/uploads/2011/10/a-major-7.jpgA Major 7A Major 7 - Play A Lydian or A Ionian - Click to enlargehttps://guitarchitecture.org/wp-content/uploads/2011/10/a-major.jpgA MajorA Major - Play A Lydian, A Ionian or A Mixolydian - Click to enlargehttps://guitarchitecture.org/wp-content/uploads/2011/10/a-major-chord-progression.jpgA Major Chord ProgressionRepeat each bar 2-4 times ** Click to enlarge**https://guitarchitecture.org/wp-content/uploads/2011/10/a-mixolydian.jpgA mixolydianA Mixolydian - Click to enlargehttps://guitarchitecture.org/wp-content/uploads/2011/10/a-ionian.jpgA ionianA Ionian - Click to enlargehttps://guitarchitecture.org/wp-content/uploads/2011/10/a-lydian.jpgA lydianA Lydian - Click to enlarge2012-09-16T02:00:14+00:00monthlyhttps://guitarchitecture.org/2011/10/28/slash-and-burn-creating-more-complex-sounds-with-slash-chords/https://guitarchitecture.org/wp-content/uploads/2011/10/a-root-chord-tones-multi1.jpgA Root Chord Tones multihttps://guitarchitecture.org/wp-content/uploads/2011/10/c-maj-13-sharp-11.jpgC maj 13 sharp 11B min 7 / C - Implying C maj 13 (#11)https://guitarchitecture.org/wp-content/uploads/2011/10/a-dorian-lick.jpgA Dorian LickB min / A min - A Dorian Lickhttps://guitarchitecture.org/wp-content/uploads/2011/10/bmin_c-lick.jpgBmin_C LickB min / C Lickhttps://guitarchitecture.org/wp-content/uploads/2011/10/bmin-lick-2.jpgBmin lick 2B min / C Lick 2https://guitarchitecture.org/wp-content/uploads/2011/10/b-min_c.jpgB min_Chttps://guitarchitecture.org/wp-content/uploads/2011/10/b-min.jpgB minB Minorhttps://guitarchitecture.org/wp-content/uploads/2011/10/c-maj9-sharp-11.jpgC maj9 sharp 11https://guitarchitecture.org/wp-content/uploads/2011/10/c-maj9-sharp-11.pngC maj9 sharp 11C Major 9 (#11)https://guitarchitecture.org/wp-content/uploads/2011/10/c-maj9.pngC maj9 C Major 92012-09-16T01:57:01+00:00monthlyhttps://guitarchitecture.org/2011/11/18/pod-hd-flash-memory-update-pod-hd500-in-live-use-and-more-thoughts-about-gear/2012-09-16T01:52:00+00:00monthlyhttps://guitarchitecture.org/2011/11/23/melville-madness-and-practicing-or-finding-the-deeper-lesson-part-2/2012-09-16T01:50:19+00:00monthlyhttps://guitarchitecture.org/2011/11/30/the-modal-microscope-and-a-sequenced-arpeggio-approach/https://guitarchitecture.org/wp-content/uploads/2011/11/screenshot.jpgScreenshothttps://guitarchitecture.org/wp-content/uploads/2011/11/desc-16ths.jpgdesc 16thshttps://guitarchitecture.org/wp-content/uploads/2011/11/5s-asc.jpg5s aschttps://guitarchitecture.org/wp-content/uploads/2011/11/5s-16ths.jpg5s 16thshttps://guitarchitecture.org/wp-content/uploads/2011/11/3s-asc-6s.jpg3s asc 6shttps://guitarchitecture.org/wp-content/uploads/2011/11/asc-sixteenth-displaced.jpgasc sixteenth displacedhttps://guitarchitecture.org/wp-content/uploads/2011/11/c-maj7_asc.jpgC maj7_ASChttps://guitarchitecture.org/wp-content/uploads/2011/11/3s-dsc.jpg3s dschttps://guitarchitecture.org/wp-content/uploads/2011/11/3s-asc.jpg3s aschttps://guitarchitecture.org/wp-content/uploads/2011/11/c-maj-7_amin_add_91.jpgC Maj 7C Root - C Maj 72012-09-16T01:49:24+00:00monthlyhttps://guitarchitecture.org/2011/12/04/mas-modeling-pod-farm-pod-hd-scuffham-amps-and-a-whole-tone-lick/https://guitarchitecture.org/wp-content/uploads/2011/12/whole-tone-fragment1.jpgWhole Tone Fragmenthttps://guitarchitecture.org/wp-content/uploads/2011/12/whole-tone-fragment.jpgWhole Tone Fragmenthttps://guitarchitecture.org/wp-content/uploads/2011/12/g-whole-tone-scale-11.jpgG Whole Tone Scale 1https://guitarchitecture.org/wp-content/uploads/2011/12/g-whole-tone-scale-1.jpgG Whole Tone Scale 1https://guitarchitecture.org/wp-content/uploads/2011/12/e-min9.jpgE min 9https://guitarchitecture.org/wp-content/uploads/2011/12/exploding-duke-small.jpgExploding Duke small2012-09-16T01:48:02+00:00monthlyhttps://guitarchitecture.org/2011/12/18/creating-chords-and-lines-from-any-scale-a-harmonic-combinatorics-lesson/https://guitarchitecture.org/wp-content/uploads/2011/12/excerpt.jpgExcerpthttps://guitarchitecture.org/wp-content/uploads/2011/12/123_g_maj.jpg123_g_majhttps://guitarchitecture.org/wp-content/uploads/2011/12/c-major-harm.jpgC Major Harmhttps://guitarchitecture.org/wp-content/uploads/2011/12/125346.jpg125346https://guitarchitecture.org/wp-content/uploads/2011/12/pattern_123_321.jpgPattern_123_321https://guitarchitecture.org/wp-content/uploads/2011/12/pattern_123.jpgPattern_123https://guitarchitecture.org/wp-content/uploads/2011/12/3-note-melodic-variation-chart.jpg3 note melodic variation charthttps://guitarchitecture.org/wp-content/uploads/2011/12/3-note-pattern-numerical-variations.jpg3 note pattern numerical variationshttps://guitarchitecture.org/wp-content/uploads/2011/12/752_initial_example.jpg752_initial_examplehttps://guitarchitecture.org/wp-content/uploads/2011/12/65_option_b.jpg65_option_B2012-09-16T01:44:03+00:00monthlyhttps://guitarchitecture.org/2011/12/27/2012-how-not-to-repeat-the-mistakes-of-the-past-or-nothing-ever-got-done-with-an-excuse/2012-09-16T01:40:17+00:00monthlyhttps://guitarchitecture.org/2012/04/03/the-guitarchitects-guide-to-modes-part-12-getting-into-modal-arpeggios-superimpostion/https://guitarchitecture.org/wp-content/uploads/2012/04/major7_no_root1.jpgMajor7_no_roothttps://guitarchitecture.org/wp-content/uploads/2012/04/cmaj7_c.jpgCmaj7_Chttps://guitarchitecture.org/wp-content/uploads/2012/04/cmaj7_a.jpgCmaj7_Ahttps://guitarchitecture.org/wp-content/uploads/2012/04/cmaj7_f.jpgCmaj7_Fhttps://guitarchitecture.org/wp-content/uploads/2012/04/cmaj7_d.jpgCmaj7_Dhttps://guitarchitecture.org/wp-content/uploads/2012/04/cmaj7_b.jpgCmaj7_Bhttps://guitarchitecture.org/wp-content/uploads/2012/04/cmaj7_ab_start.jpgCmaj7_Ab_starthttps://guitarchitecture.org/wp-content/uploads/2012/04/cmaj7_ab.jpgCmaj7_Abhttps://guitarchitecture.org/wp-content/uploads/2012/04/interval_chart_full.jpgInterval_chart_Fullhttps://guitarchitecture.org/wp-content/uploads/2012/04/major7_no_root.jpgMajor7_no_root2013-08-28T21:25:47+00:00monthlyhttps://guitarchitecture.org/2012/05/20/thinking-knowing-and-learning/2012-09-15T14:50:38+00:00monthlyhttps://guitarchitecture.org/2011/03/04/surviving-the-gig/2012-09-15T13:49:17+00:00monthlyhttps://guitarchitecture.org/2012/09/11/new-jimmy-rosenberg-lesson-up-gm-posts-and-more-books-on-the-way/2012-09-11T13:42:19+00:00monthlyhttps://guitarchitecture.org/2012/08/30/updates-recycled-lessons-and-new-posts/2012-08-30T15:19:28+00:00monthlyhttps://guitarchitecture.org/2010/06/12/rig-around-the-rosie-or-mediations-and-meditations-on-gear/2012-08-26T12:33:28+00:00monthlyhttps://guitarchitecture.org/2012/07/26/rare-picks-and-a-pentatonic-approach-from-mr-cusano-for-guitar-muse/2012-07-26T18:29:11+00:00monthlyhttps://guitarchitecture.org/2010/09/09/the-bizarre-tale-of-my-ultra-rare-guitar-pick/https://guitarchitecture.org/wp-content/uploads/2010/09/dsci0155.jpgDSCI0155https://guitarchitecture.org/wp-content/uploads/2010/09/dsci0154.jpgDSCI0154https://guitarchitecture.org/wp-content/uploads/2010/09/dsci0153.jpgDSCI01532012-07-23T14:38:38+00:00monthlyhttps://guitarchitecture.org/2012/07/06/guitar-muse-interview-with-steve-vai-and-gig-post-and-kindle-updates/2012-07-06T13:42:37+00:00monthlyhttps://guitarchitecture.org/2011/04/11/a-game-changer-sonuus-i2m-musicport-overview/2014-08-26T15:11:16+00:00monthlyhttps://guitarchitecture.org/2010/11/14/warming-up-finger-exercises-the-3-ts-and-the-necessity-of-mistakes/2013-12-06T22:08:23+00:00monthlyhttps://guitarchitecture.org/2011/02/26/hardware-vs-software-%e2%80%93-or-praises-and-perils-in-live-laptop-use/2012-07-17T09:53:55+00:00monthlyhttps://guitarchitecture.org/2011/10/31/the-guitarchitects-guide-to-modes-harmonic-combinatorics-pre-release-now-available/https://guitarchitecture.org/wp-content/uploads/2011/10/btn_buynowcc_lg.gifbtn_buynowCC_LGhttps://guitarchitecture.org/wp-content/uploads/2011/10/5-note-sample.jpg5 note sampleAll 5 and 6-note possibilities have been worked out (and some tabbed as well)!https://guitarchitecture.org/wp-content/uploads/2011/10/3-string-sample.jpg3 string sampleAll 2, 3 and 4 note combinations are covered in the text.https://guitarchitecture.org/wp-content/uploads/2011/10/interval-chart-sample.jpgInterval Chart SampleIntervals and chord tones are covered thoroughly in the book.https://guitarchitecture.org/wp-content/uploads/2011/10/string-sets.jpgString SetsNote - This (and how it's used) is also fully explained in the book!!!https://guitarchitecture.org/wp-content/uploads/2011/10/superimposition-chart.jpgSuperimposition chartNote - This is fully explained in the book!!!https://guitarchitecture.org/wp-content/uploads/2011/10/toc3.jpgTOC3https://guitarchitecture.org/wp-content/uploads/2011/10/toc2.jpgTOC2https://guitarchitecture.org/wp-content/uploads/2011/10/toc1.jpgTOC1Click to enlargehttps://guitarchitecture.org/wp-content/uploads/2011/10/back-cover.jpgBack Cover2012-06-05T17:29:54+00:00monthlyhttps://guitarchitecture.org/2011/08/19/the-guitarchitect%e2%80%99s-guide-to-modes-melodic-patterns-book-%e2%80%9cpre-release%e2%80%9d-now-available/https://guitarchitecture.org/wp-content/uploads/2011/08/btn_buynowcc_lg.gifbtn_buynowCC_LGhttps://guitarchitecture.org/wp-content/uploads/2011/08/scott_collins_melodic_patterns_fr_cover.jpgScott_Collins_Melodic_Patterns_fr_coverhttps://guitarchitecture.org/wp-content/uploads/2011/08/scott_collins_melodic_patterns_pg_256.jpgScott_Collins_Melodic_Patterns_pg_256https://guitarchitecture.org/wp-content/uploads/2011/08/scott_collins_melodic_patterns_pg_306.jpgScott_Collins_Melodic_Patterns_pg_306https://guitarchitecture.org/wp-content/uploads/2011/08/scott_collins_melodic_patterns_pg_231.jpgScott_Collins_Melodic_Patterns_pg_231https://guitarchitecture.org/wp-content/uploads/2011/08/scott_collins_melodic_patterns_pg_102.jpgScott_Collins_Melodic_Patterns_pg_102https://guitarchitecture.org/wp-content/uploads/2011/08/scott_collins_melodic_patterns_pg_28.jpgScott_Collins_Melodic_Patterns_pg_282012-06-05T17:27:31+00:00monthlyhttps://guitarchitecture.org/2011/09/10/the-guitarchitects-positional-exploration-pre-release-now-available/https://guitarchitecture.org/wp-content/uploads/2011/09/btn_buynowcc_lg.gifbtn_buynowCC_LGhttps://guitarchitecture.org/wp-content/uploads/2011/09/picking-1.jpgPicking 1https://guitarchitecture.org/wp-content/uploads/2011/09/back_cover_sample.jpgBack_Cover_SampleBack Coverhttps://guitarchitecture.org/wp-content/uploads/2011/09/positional_cover.jpgPositional_Coverhttps://guitarchitecture.org/wp-content/uploads/2011/09/table-of-contents-1.jpgTable of Contents 1https://guitarchitecture.org/wp-content/uploads/2011/09/table-of-contents-2.jpgTable Of Contents 2https://guitarchitecture.org/wp-content/uploads/2011/09/8th_pos_sample1.jpg8th_pos_samplehttps://guitarchitecture.org/wp-content/uploads/2011/09/chord-tone-matrix-sample.jpgChord Tone Matrix Samplehttps://guitarchitecture.org/wp-content/uploads/2011/09/sample_melodic_varitions.jpgsample_melodic_varitionshttps://guitarchitecture.org/wp-content/uploads/2011/09/sample-picking-attack-variations.jpgSample Picking Attack 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DUET 3https://guitarchitecture.org/wp-content/uploads/2010/07/podfarm-duet-2.jpgPODFARM DUET 2https://guitarchitecture.org/wp-content/uploads/2010/07/podfarm-duet-1.jpgPODFARM DUET 1https://guitarchitecture.org/wp-content/uploads/2010/07/g-maj-blues-2.jpgG Maj Blues 2https://guitarchitecture.org/wp-content/uploads/2010/07/g-maj-blues-1.jpgG Maj Blues 12011-07-29T05:51:41+00:00monthlyhttps://guitarchitecture.org/2011/02/02/new-sooperlooper-update-1-6-16/2011-07-15T20:23:25+00:00monthlyhttps://guitarchitecture.org/2011/01/14/octave4plus-a4-007-string-review/https://guitarchitecture.org/wp-content/uploads/2011/01/dsci0169.jpgBall endhttps://guitarchitecture.org/wp-content/uploads/2011/01/octave4pluspkg.jpgOctave4pluspkg2011-07-15T20:15:58+00:00monthlyhttps://guitarchitecture.org/2011/01/11/recycling-chords-part-ii-triad-transformation/https://guitarchitecture.org/wp-content/uploads/2011/01/dmin7b5.jpgDminor7b5https://guitarchitecture.org/wp-content/uploads/2011/01/dmin7.jpgdminor7https://guitarchitecture.org/wp-content/uploads/2011/01/d7.jpgD7https://guitarchitecture.org/wp-content/uploads/2011/01/dmaj7.jpgDmajor7https://guitarchitecture.org/wp-content/uploads/2011/01/d-maj.jpgD Majorhttps://guitarchitecture.org/wp-content/uploads/2011/01/c-add-9-w-ith-root.jpgC Add 9 w ith roothttps://guitarchitecture.org/wp-content/uploads/2011/01/c-add-9-no-root2.jpgC Add 9 no root2https://guitarchitecture.org/wp-content/uploads/2011/01/i-iv_v7_i.jpgI-iv_v7_Ihttps://guitarchitecture.org/wp-content/uploads/2011/01/c-major-small.jpgC Major smallhttps://guitarchitecture.org/wp-content/uploads/2011/01/c-maj-8th-pos-full.jpgC Maj 8th pos full2011-07-15T20:12:26+00:00monthlyhttps://guitarchitecture.org/2011/01/09/bare-knuckle-pickups-8-string-cold-sweat-pickup/https://guitarchitecture.org/wp-content/uploads/2011/01/bnk-spec.jpgBNK Spechttps://guitarchitecture.org/wp-content/uploads/2010/12/dsci0159.jpgBare Knuckle and Kill Switchhttps://guitarchitecture.org/wp-content/uploads/2010/12/dsci01581.jpgBare Knuckle Cold Sweat2011-08-31T16:08:59+00:00monthlyhttps://guitarchitecture.org/2011/01/05/recycling-chords-part-i-or-wheres-the-root/https://guitarchitecture.org/wp-content/uploads/2011/01/c-no-5th-add-9-sharp-11-13.jpgC no 5th add 9 sharp 11 13https://guitarchitecture.org/wp-content/uploads/2011/01/d-major.jpgD Majorhttps://guitarchitecture.org/wp-content/uploads/2011/01/bb.jpgC/Bbhttps://guitarchitecture.org/wp-content/uploads/2011/01/roots-over-c-major.jpgRoots over C Majorhttps://guitarchitecture.org/wp-content/uploads/2011/01/gsus2.jpggsus2https://guitarchitecture.org/wp-content/uploads/2011/01/a-minor-7.jpgA minor 7https://guitarchitecture.org/wp-content/uploads/2011/01/g-sus4-add-6.jpgG sus4 add 6https://guitarchitecture.org/wp-content/uploads/2011/01/e.jpgEhttps://guitarchitecture.org/wp-content/uploads/2011/01/eminb6.jpgEminb6https://guitarchitecture.org/wp-content/uploads/2011/01/c-major.jpgC major2011-07-15T19:54:22+00:00monthlyhttps://guitarchitecture.org/2011/01/03/recabinet-3-announced-new-irs-and-a-new-aurtasvst-shell/https://guitarchitecture.org/wp-content/uploads/2011/01/recabinet-3-screenshot.jpgrecabinet 3 screenshot2011-07-15T19:50:34+00:00monthlyhttps://guitarchitecture.org/2010/12/31/2011-on-not-repeating-the-mistakes-of-the-past-or-nothing-ever-got-done-with-an-excuse/2011-07-15T19:48:13+00:00monthlyhttps://guitarchitecture.org/2011/04/04/getting-hipness-from-a-major-triad-or-more-chord-recycling-part-2/https://guitarchitecture.org/wp-content/uploads/2011/04/fsharp-min9-add-13-no-11.jpgFsharp min9 add 13 no 11F# min 9 add 13 no 11https://guitarchitecture.org/wp-content/uploads/2011/04/g-sharp-min-7-lick2.jpgG Sharp min 7 Lick2https://guitarchitecture.org/wp-content/uploads/2011/04/a-maj-6-ver-2.jpgA maj 6 ver 2A maj 6 with open E stringhttps://guitarchitecture.org/wp-content/uploads/2011/03/a-quartal.jpgA QuartalQuartal Chordhttps://guitarchitecture.org/wp-content/uploads/2011/03/g-sharp-min-7-lick.jpgG sharp min 7 lickhttps://guitarchitecture.org/wp-content/uploads/2011/03/a1.jpgG# min7/AG# min7/Ahttps://guitarchitecture.org/wp-content/uploads/2011/03/b7-a-maj-lick.jpgB7 A Maj Lickhttps://guitarchitecture.org/wp-content/uploads/2011/03/a.jpgB7 over aB7/Ahttps://guitarchitecture.org/wp-content/uploads/2011/03/a-major-vii-position.jpgA Major VII positionhttps://guitarchitecture.org/wp-content/uploads/2011/03/maj-7-sharp-11_fret1.jpgMaj 7 sharp 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#4https://guitarchitecture.org/wp-content/uploads/2011/03/a-major-triad.jpgA Major Triadhttps://guitarchitecture.org/wp-content/uploads/2011/03/a-major.jpgA MajorA Major2011-07-14T22:12:00+00:00monthlyhttps://guitarchitecture.org/2011/06/10/free-sweeping-pentatonic-minor-scale-lesson-on-live4guitar-com-now-online/2011-06-10T23:06:38+00:00monthlyhttps://guitarchitecture.org/2011/03/23/getting-through-the-gig-part-3/https://guitarchitecture.org/wp-content/uploads/2011/03/232-meaure-2.jpg232 meaure 2232 Measure 2https://guitarchitecture.org/wp-content/uploads/2011/03/232-mms3_4.jpg232 mms3_4232 Measures 3-4https://guitarchitecture.org/wp-content/uploads/2011/03/232-mm1.jpg232 mm1232 Measure 1https://guitarchitecture.org/wp-content/uploads/2011/03/232-setting.jpg232 setting2011-06-06T21:33:56+00:00monthlyhttps://guitarchitecture.org/2011/03/14/getting-through-the-gig-%e2%80%93-negotiating-a-chord-chart-part-1/https://guitarchitecture.org/wp-content/uploads/2011/03/232_chart_upper_extensions.jpg232_Chart_upper_extensionshttps://guitarchitecture.org/wp-content/uploads/2011/03/chord-tone-chart.jpgChord Tone Charthttps://guitarchitecture.org/wp-content/uploads/2011/03/232_chart.jpg232_Chart2011-06-06T21:29:59+00:00monthlyhttps://guitarchitecture.org/2011/05/05/fnh-interview-online-and-other-guest-blogging/2011-05-11T14:36:39+00:00monthlyhttps://guitarchitecture.org/2010/12/02/guitarchitecture-sonic-visualization-and-a-pentatonic-approach-for-the-holidays/https://guitarchitecture.org/wp-content/uploads/2010/12/e_bmin-6-note-scale.jpgE_Bmin 6 note scalehttps://guitarchitecture.org/wp-content/uploads/2010/12/marshall-who-settings.jpgMarshall who settingshttps://guitarchitecture.org/wp-content/uploads/2010/12/3-octave-e_bmin-asc.jpg3 octave E_Bmin aschttps://guitarchitecture.org/wp-content/uploads/2010/12/3-octave-e_bmin-dsc.jpg3 octave E_Bmin dsc2011-05-04T17:30:29+00:00monthlyhttps://guitarchitecture.org/2010/08/24/building-blocks-or-more-examinations-of-a-laptop-guitar-setup/https://guitarchitecture.org/wp-content/uploads/2010/08/c001-min11.jpgC# min 11https://guitarchitecture.org/wp-content/uploads/2010/08/c001-min-9.jpgC# min 9https://guitarchitecture.org/wp-content/uploads/2010/08/e-major-7.jpgE Major 7https://guitarchitecture.org/wp-content/uploads/2010/08/g001min-arp.jpgG# minor arphttps://guitarchitecture.org/wp-content/uploads/2010/08/marshall-verb1.jpgMarshall-verb1https://guitarchitecture.org/wp-content/uploads/2010/08/marshall-delay1.jpgMarshall-delay1https://guitarchitecture.org/wp-content/uploads/2010/08/marshall-preamp1.jpgMarshall-Preamp1https://guitarchitecture.org/wp-content/uploads/2010/08/mixer1.jpgMixer1https://guitarchitecture.org/wp-content/uploads/2010/08/marshall-gate1.jpgMarshall Gate1https://guitarchitecture.org/wp-content/uploads/2010/08/la-convolver1.jpgLA Convolver12011-04-28T01:16:16+00:00monthlyhttps://guitarchitecture.org/2010/12/12/x-code-3-2-5-au-lab-2-2-now-available-caveat-emptor/https://guitarchitecture.org/wp-content/uploads/2010/12/machine-specs.jpgMachine Specs2011-04-27T18:04:31+00:00monthlyhttps://guitarchitecture.org/2010/10/18/laptop-guitar-setup-or-notes-from-a-live-show/https://guitarchitecture.org/wp-content/uploads/2010/10/patch.jpgPatchhttps://guitarchitecture.org/wp-content/uploads/2010/10/setlist-1.jpgSetList - 1https://guitarchitecture.org/wp-content/uploads/2010/10/atomc-cleanef80a2dirt1.jpgAtomc CleanDirt1https://guitarchitecture.org/wp-content/uploads/2010/10/atomic-patches.jpgAtomic patches2012-02-09T23:56:39+00:00monthlyhttps://guitarchitecture.org/2010/08/13/glass-noodles-adapting-a-philip-glass-arpeggio-approach-to-guitar/https://guitarchitecture.org/wp-content/uploads/2010/08/glass-noodles.jpgGlass Noodleshttps://guitarchitecture.org/wp-content/uploads/2010/08/glass-g-major1.jpgGlass G majorhttps://guitarchitecture.org/wp-content/uploads/2010/08/glass-g-major.jpgGlass G major2016-11-14T00:38:06+00:00monthlyhttps://guitarchitecture.org/2010/04/12/fnh-ultrasonic-guitar-review/https://guitarchitecture.org/wp-content/uploads/2010/04/clip_image001.jpgclip_image001Photography by Nancy MacDonald2014-10-20T21:12:37+00:00monthlyhttps://guitarchitecture.org/2010/11/29/schecter-omen-8-string-review-part-2-string-observations-and-sound-clips/2012-01-02T19:43:31+00:00monthlyhttps://guitarchitecture.org/2010/11/01/line-6-fbv-express-mk-ii-review/2012-07-13T17:00:02+00:00monthlyhttps://guitarchitecture.org/2011/04/22/putting-the-trio-in-rough-hewn-trio-or-some-upcoming-shows/2011-04-22T14:51:10+00:00monthlyhttps://guitarchitecture.org/2011/04/19/getting-hipness-from-a-major-triad-or-more-chord-recycling-part-3/https://guitarchitecture.org/wp-content/uploads/2011/04/in-4ths.jpgin 4thshttps://guitarchitecture.org/wp-content/uploads/2011/04/lick-3.jpgArpeggio LickArpegio lick w. chromaticshttps://guitarchitecture.org/wp-content/uploads/2011/04/lick-4.jpg4ths lick 24ths lick 2https://guitarchitecture.org/wp-content/uploads/2011/04/a-maj-4ths-lick2.jpgA maj 4ths lick4ths ideahttps://guitarchitecture.org/wp-content/uploads/2011/04/lick-1-fingering-2.jpgLick 1 fingering 2Lick 1: Three note-per-string shapehttps://guitarchitecture.org/wp-content/uploads/2011/04/lick-1-fiingering-1.jpgLick 1 fingering 1Lick 1https://guitarchitecture.org/wp-content/uploads/2011/04/a-major-with-g-string-9th.jpgA Major with G String 9thA Lydian/F# Dorian Chord tones based on an A major chord shapehttps://guitarchitecture.org/wp-content/uploads/2011/04/a-maj-lick-2.jpgA maj lick 2https://guitarchitecture.org/wp-content/uploads/2011/04/a-maj-lick-1.jpgA Maj lick 1https://guitarchitecture.org/wp-content/uploads/2011/04/a-maj-4ths-lick.jpgA maj 4ths 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